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Hollywood Quarterly, 1947
key scenes. Thus, as American occupation troops march through the streets of Tokyo the newsreel editor may cut to a shot of cheering, grinning Japanese onlookers. Later on in the story, perhaps, he intercuts other enthusiastic civilians. It may be that most of the citizens who happened to be around that day turned their backs on the Yanks or stayed ...
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key scenes. Thus, as American occupation troops march through the streets of Tokyo the newsreel editor may cut to a shot of cheering, grinning Japanese onlookers. Later on in the story, perhaps, he intercuts other enthusiastic civilians. It may be that most of the citizens who happened to be around that day turned their backs on the Yanks or stayed ...
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2017
This chapter looks at the work of the only two newsreel cameramen filming the campaign, Alec Tozer and Maurice Ford. It raises the practical problems of filming in tropical and jungle conditions. It brings into question the faking or reconstruction of battle scenes, but also the gap between what the cameramen reported and the stories that reached the ...
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This chapter looks at the work of the only two newsreel cameramen filming the campaign, Alec Tozer and Maurice Ford. It raises the practical problems of filming in tropical and jungle conditions. It brings into question the faking or reconstruction of battle scenes, but also the gap between what the cameramen reported and the stories that reached the ...
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2018
This chapter will explore the reception of newsreels in various countries. Using contemporary observation studies, oral history testimony, memoirs, works of fiction and poetry, it will construct a complex picture of how newsreels were received and understood, in the contexts of cinema history, news consumption and social history.
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This chapter will explore the reception of newsreels in various countries. Using contemporary observation studies, oral history testimony, memoirs, works of fiction and poetry, it will construct a complex picture of how newsreels were received and understood, in the contexts of cinema history, news consumption and social history.
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2007
O n September 9, 1971, 1,300 inmates, almost half the prison population, captured more than three dozen guards and employees at Attica Correctional Facility in upstate New York. The mostly Black and Latino inmates did so to protest the intolerable living conditions and vicious brutality of the prison guards. Inside Attica, they were subjected to severe
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O n September 9, 1971, 1,300 inmates, almost half the prison population, captured more than three dozen guards and employees at Attica Correctional Facility in upstate New York. The mostly Black and Latino inmates did so to protest the intolerable living conditions and vicious brutality of the prison guards. Inside Attica, they were subjected to severe
openaire +1 more source