Results 51 to 60 of about 8,680 (197)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2016 Tukums in the Newsreels This article examines and contextualizes the industrial, stylistic and ideological specificities of newsreel production in Latvia by underlining the changes that occurred in this medium between 1944 and 1995.It is based on ...
Viktorija Eksta
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HISTORICAL ANTIFASCISM AND THE GLOBAL LEFT
History and Theory, Volume 64, Issue 2, Page 301-316, June 2025.ABSTRACT Joseph Fronczak's Everything Is Possible: Antifascism and the Left in the Age of Fascism presents antifascism in the 1920s and 1930s as a universal cause that united people across social and ideological divides, creating the discursive framework for the global Left we know today.
TERENCE RENAUD
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Muscle &Nerve, Volume 71, Issue 5, Page 732-746, May 2025.Abstract Occupational nerve injuries span a broad array of pathologies and contribute toward functional limitation, disability, and economic impact. Early and accurate recognition, treatment, and management of workplace factors rely on a thorough understanding of the anatomic and biomechanical factors that drive nerve injury.
Sandra L. Hearn +3 more
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Alterity — A Category of Practice and Analysis: Preliminary Remarks
On_Culture, 2017 This article provides introductory remarks on the concept of ‘alterity,’ which could stimulate the discussion on newsreels/media and their representation of the Other.
Doris Bachmann-Medick
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Alphaville: Journal of Film and Screen Media, 2019 John Grierson first used the term “documentary” in writing about Robert Flaherty’s Moana (1926), noting that the film, “being a visual account of events in the daily life of a Polynesian youth, has documentary value” (qtd. in Rosenbaum).
Iacob Raluca
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Back into Focus: Women Filmmakers, the Amateur Trade Press and 1960s British Amateur Cinema
Gender &History, Volume 37, Issue 1, Page 348-364, March 2025.Abstract While recent scholarship has helped uncover specific stories of women in different commercial cinema industries, there remains a lacuna around the role of amateur women filmmakers within national amateur contexts. Where male amateur filmmaking has often been linked to a range of solitary or group‐based leisure pursuits, we cannot make the same
Keith M. Johnston
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Mélanges de la Casa de Velázquez, 2020 By the end of the Spanish civil war the Franco dictatorship mobilized the entire repertoire of past policies to codify and disseminate a closed interpretation of national history.
Gustavo Alares López
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Environmental Policy and Governance, Volume 35, Issue 1, Page 103-113, February 2025.Abstract Turning cities socio‐ecologically resilient is one of the pressing challenges in the face of ongoing climate change and accompanying extreme weather events. Despite concentrated efforts within specific urban domains, there exists a necessity for a coordinating mechanism that can concurrently monitor signals of slowly maturing long‐term crises,
Peeter Vihma, Janne I. Hukkinen
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Banal art history. Baroque, modernization and official cinematography in Franco’s Spain [PDF]
Journal of Art Historiography, 2016 In this article the newsreels made by Noticiarios y Documentales Cinematográficos (Cinematographic Newsreels and Documentaries, NO-DO), the official film production company created by Francoism, will be analyzed in order to shed light on the political ...
Noemi de Haro García
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