Results 81 to 90 of about 8,777 (213)

Banal art history. Baroque, modernization and official cinematography in Franco’s Spain [PDF]

open access: yesJournal of Art Historiography, 2016
In this article the newsreels made by Noticiarios y Documentales Cinematográficos (Cinematographic Newsreels and Documentaries, NO-DO), the official film production company created by Francoism, will be analyzed in order to shed light on the political ...
Noemi de Haro García
doaj  

The Act of Documenting: Documentary Film in the 21st Century by Brian Winston, Gail Vanstone and Wang Chi

open access: yesAlphaville: Journal of Film and Screen Media, 2019
John Grierson first used the term “documentary” in writing about Robert Flaherty’s Moana (1926), noting that the film, “being a visual account of events in the daily life of a Polynesian youth, has documentary value” (qtd. in Rosenbaum).
Iacob Raluca
doaj   +1 more source

Nostalgias de Europa

open access: yesMélanges de la Casa de Velázquez, 2020
By the end of the Spanish civil war the Franco dictatorship mobilized the entire repertoire of past policies to codify and disseminate a closed interpretation of national history.
Gustavo Alares López
doaj   +1 more source

Language and Collective Identity in Buñuel. Propaganda in the Film «España 1936» [PDF]

open access: yes, 2010
En la memoria colectiva de los europeos, la Guerra Civil española ocupa un lugar destacado. El lenguaje cinematográfico y la representación fílmica de esa contienda forman un ámbito relevante en el que estudiar algunos rasgos de la matriz cultural ...
Ruiz-del-Olmo, Francisco Javier
core   +4 more sources

‘University is Ill’: Representations of the Italian Student Crisis in 1968 Radar Cinematografica Newsreels

open access: yesOn_Culture, 2017
In 1968, the protest culture of the younger generation reached its peak internationally, and it was at the universities that students ignited the turmoil.
Inês Gamelas
doaj  

Understanding Art-Making as Documentation [PDF]

open access: yes, 2017
Though typically arts information professionals are concerned with the documentation of artwork, this conceptual paper explores how art-making itself can be considered a form of documentation and finished artworks as documents in their own right. On this
Gorichanaz, Tim
core   +1 more source

Pixelated flesh [PDF]

open access: yes, 2015
The pixel and the technique of pixelating faces belong to a politics of fear and a digital aesthetics of truth which shapes public perceptions of criminality and the threat of otherness.
Fuggle, S
core   +1 more source

'Goodwill Ambassador'

open access: yesVIEW Journal of European Television History and Culture, 2015
The article looks back at the films commissioned and produced by the Dutch governments about their colony in teh East-Indies between 1912 and 1962. The main focus is on the newsreels and documentaries about the colonial war between the Netherlands and ...
Jansen Hendriks, Gerda
doaj   +1 more source

War Spoliations and Cultural Transfers: The Case Study of Soviet Cinema (1939-1949)

open access: yesConnexe, 2019
This collection of articles is one of the last achievements of the scientific project called Cinema in the Soviet Union at war, 1939-1949. This project was initiated by Valérie Pozner (CNRS, Arias THALIM) and Alexandre Sumpf (University of Strasburg ...
Eric Aunoble
doaj   +1 more source

The aboriginal football ethic: Where the rules get flexible [PDF]

open access: yes, 2016
In his highly influential history of Australian rules football, Geoffrey Blainey promoted the idea that the sport constituted a 'game of our own'. In making this claim, Blainey suggested the sport was the outcome of Anglo-Australian cultural innovations.
Butcher, Tim, Judd, Barry
core  

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