Results 31 to 40 of about 144 (83)

IMPORTANCE OF CONTEMPORARY ARTIST NICHOLAS ROERICH'S ART WITH REFERENCE TO HIMALAYAN PAINTING

open access: yesInternational Journal of Research -GRANTHAALAYAH, 2019
English : The Himalayas where the sages reside. This was the creation of Vedas. The snow-clad mountain ranges, their depths, high mountains, enchanting atmosphere, waterfall silver falls, pink weather attracts any visiting artist. When Nicolas Roerich came to India in 1924, this atmosphere of the Himalayas captivated him and he spent twenty years in ...
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Rerich Nikolaj (Roerich Nicholas)

open access: yes, 2019
Il lemma dell’Enciclopedia sulle presenze russe in Italia nella prima metà del XX secolo documenta, sulla base di fonti a stampa e inedite, il percorso professionale all'estero, Italia compresa, dell’artista e scenografo Nikolaj Ivanov, meglio noto come Nicholas (o Nicola) Roerich.
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Nicholas Roerich and Japan: Unknown Pages

open access: yesЕжегодник Япония, 2022
V. E. Molodyakov, V. A. Rosov
doaj  

Why such an interest in Nicholas Roerich? (Opening)

open access: yes, 2019
To introduce Nicholas Roerich to whoever knows hardly anything about him is a real challenge. Any researcher interested in this painter, decorator, teacher, poet, writer, archaeologist, traveler, mystic, theosophist who founded with his wife Elena a New Religious Movement, the Agni Yoga, needs a huge amount of skills to deal with such different fields ...
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Review of John McCANNON, Nicholas Roerich. The Artist Who Would Be King (2022)

open access: yes, 2023
Compte-rendu de John McCANNON, Nicholas Roerich. The Artist Who Would Be King (2022)
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The Idea of the Great Plan: From Annie Besant to Nicholas and Helena Roerich

open access: yesNew Age in Eurasia - ideologies, networks, discourses
By Dany Savelli On October 2, 1920, the Russian painter Nicholas Roerich and his wife arrived in the United States and remained there until May 8, 1923. The difficult period they experienced there essentially intensified, in my view, their channeling practices.
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