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Sibirica: Journal of Siberian Studies, 2002 Abstract The artist Nicholas Roerich, famous for his expeditions (1925-1928 and 1934-1936) to Central Asia and the Himalayas, was deeply fascinated by the Altai Mountains, which he visited in 1926 (even though he had emigrated from Soviet Russia in 1918).
John McCannon
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Nicholas Roerich and His Theatrical Designs: A Research Survey
Dance Research Journal, 1987 The Russian painter Nicholas Roerich, born in St. Petersburg in 1874, figured prominently in the Silver Age of Russian art at the turn of the century. By the time he left Russia, around 1917, he had painted several hundred canvases and had achieved an international reputation. He continued to paint prolifically in Western Europe, America, Central Asia,
Kenneth J. Archer
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In search of primeval Russia: stylistic evolution in the landscapes of Nicholas Roerich, 1897-1914
Ecumene, 2000 During the first decade and a half of his career, the Russian painter and stage designer Nicholas Roerich (Nikolai Rerikh) (1874-1947) gained renown for depicting his native land’s ancient past in a manner that was supremely creative yet also historically accurate. However, during this period, which lasted roughly from his graduation from the Imperial
J. McCannon
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NICHOLAS ROERICH: AN IDOL WITH FEET OF CLAY?
Art History, 1990Nicholas Roerich: the Life and Art of a Russian Master by Jacqueline Decter with the Nicholas Roerich Museum, London: Thames and Hudson, 1989, 224 pp., 121 illus., £20 ...
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Nicholas Roerich: Loud Silence
Almanac “Essays on Conservatism”The article is devoted to the artist and thinker N. Roerich, whose work not only covers the Russian and Soviet periods of our history, but according to its internal logic breaks up into two stages – national and cosmopolitan. If the “early” Roerich turned to the Ancient Slavic theme, to the study of the spiritual roots of Russia, for which he was ...
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A Possibility in Connected History: Nicholas Roerich
A short biographical work on Nicholas Roerich which may suggest the possibility of doing a connected history linking art conservation, theosophy, and freedom struggle. (Part of Course Assignment)openaire +1 more source