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Lehre mich tanzen : 40 Jahre Alexis Sorbas [PDF]

, 2004
Hinkelmann, Klaus
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Nikos Kazantzakis's Work under the Romanian Censorship's Siege

Studia Translatorica, 2017
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Nikos Kazantzakis and Christ as Hero

Journal of Modern Greek Studies, 2004
This essay addresses the challenges associated with the literary representation of Christ. It analyzes two works by Nikos Kazantzakis, The Last Temptation of Christ and The Greek Passion, and it argues that Kazantzakis does not claim direct access to the actual historical figure of Jesus.
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O Nikos Kazantzakis ston kinimatografo (Nikos Kazantzakis in Cinema), Thanasis Agathos (2017)

Journal of Greek Media and Culture, 2018
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NIKOS KAZANTZAKIS' ALEXIS ZORBAS UND FRIEDRICH NIETZSCHE

Nietzsche-Studien, 1984
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Nikos Kazantzakis und seine Helden

2018
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Novel and Philosophy for Nikos Kazantzakis

Dirasat: Human and Social Sciences, 2022
The research extrapolates the great interconnectedness between literature and philosophy of Nikos Kazantzakis. We cannot lose sight of the great connection between literature and philosophy at the moment of the emergence of philosophical thought in the Greeks from the so-called moment of establishment, and this relationship continued until the current ...
Abdelkrim Anayat, Zaid Al-Zuriqat
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The Selected Letters of Nikos Kazantzakis

2012
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Nikos Kazantzakis in Nederland

Tetradio, 2018
In 1952, when he was almost seventy years old, Nikos Kazantzakis came to the Netherlands for his one and only visit to the country. The reason behind this sixweek visit was medical. Kazantzakis went to the Diakonessenhuis in Utrecht to get treatment for the eczema that had been troubling him for many years. Kazantzakis himself believed that he suffered
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Nikos Kazantzakis's Novels on Film

Journal of Modern Greek Studies, 2000
The three films made from Kazantzakis's novels distort their sources. Celui qui doit mourir (1956) distorts Kazantzakis's vision because the film, unlike the book, ends with the displaced villagers barricaded behind a rock shooting at their oppressors, which negates everything the book tries to say.
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