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Novel and Philosophy for Nikos Kazantzakis

open access: yesDirasat: Human and Social Sciences, 2022
The research extrapolates the great interconnectedness between literature and philosophy of Nikos Kazantzakis. We cannot lose sight of the great connection between literature and philosophy at the moment of the emergence of philosophical thought in the Greeks from the so-called moment of establishment, and this relationship continued until the current ...
Abdelkrim Anayat, Zaid Al-Zuriqat
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Nikos Kazantzakis and Christ as Hero

Journal of Modern Greek Studies, 2004
This essay addresses the challenges associated with the literary representation of Christ. It analyzes two works by Nikos Kazantzakis, The Last Temptation of Christ and The Greek Passion, and it argues that Kazantzakis does not claim direct access to the actual historical figure of Jesus.
exaly   +2 more sources

De romanschrijver Nikos Kazantzakis

open access: yesLychnari : Verkenningen in het Griekenland van Nu, 2008
De romanschrijver Nikos Kazantzakis: Vorig jaar herdacht Griekenland de 50e sterfdag van deze grote schrijver. Aanleiding voor Mariëtta Ioannidou enkele feiten uit zijn leven te memoreren en een paar van zijn belangrijkste werken te bespreken.
Ioannidou, M.
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Anti-Nihilism in the Thought of Nikos Kazantzakis

Journal of Modern Greek Studies, 2010
Nikos Kazantzakis is one of the foremost literary anti-nihilists. He is viewed as an affirmative fatalist, with fatalism considered an optimistic stance, not a pessimistic one. The term anti-nihilism is akin to Kazantzakis's "Cretan Glance" and Pandelis Prevelakis's depiction of Kazantzakis as a heroic pessimist. Kazantzakis was not a nihilist, despite
exaly   +2 more sources

Nikos Kazantzakis in Nederland

Tetradio, 2018
In 1952, when he was almost seventy years old, Nikos Kazantzakis came to the Netherlands for his one and only visit to the country. The reason behind this sixweek visit was medical. Kazantzakis went to the Diakonessenhuis in Utrecht to get treatment for the eczema that had been troubling him for many years. Kazantzakis himself believed that he suffered
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Nikos Kazantzakis's Novels on Film

Journal of Modern Greek Studies, 2000
The three films made from Kazantzakis's novels distort their sources. Celui qui doit mourir (1956) distorts Kazantzakis's vision because the film, unlike the book, ends with the displaced villagers barricaded behind a rock shooting at their oppressors, which negates everything the book tries to say.
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