Preface to 'Newton, <i>Principia</i>, Newton Geneva Edition (17<sup>th</sup>-19<sup>th</sup>) and modern Newtonian mechanics: heritage, past & present'. [PDF]
Pisano R.
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Snap Judgements: Turning Photography into Art in the Late Soviet Union
Abstract The history of photography and photography theory in the nineteenth and twentieth centuries is often preoccupied with “Western” criticism and arguments regarding the photograph as art, document, or technology. Yet, this criticism has ignored the development of photographic theory in the Soviet Union, particularly during the 1950s and 1960s ...
Jessica Werneke
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Death and Dying in Camille Rosalie Claudel's Life and Work: A Psychobiography. [PDF]
Mayer CH.
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Supporting the creative industries through the AI turn: A comparative analysis of Scottish policy and the needs of Scotland's creative practitioners. [PDF]
Black SR +4 more
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Minor epic: Notes toward a different “Anthropoetry”
Abstract Anthropologists have often turned to poetry as a means of accessing emotional registers of which conventional academic prose is unable to avail. In doing so, they have tacitly conflated poetry with lyric poetry, today probably the most widely practiced poetic genre, associated in particular with the expression of inner feelings and subjectival
Stuart McLean
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Freak to queer bodies: affirming the grotesque in contemporary art. [PDF]
Mello J.
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Narrating Entanglement Without Dehumanisation in Contemporary Eco‐Fiction
ABSTRACT This essay presents a comparative analysis of two contemporary works of eco‐fiction, Richard Powers's The Overstory (2018) and Eleanor Catton's Birnam Wood (2023). Both novels use multiperspective narration in the service of entanglement narratives, forms of storytelling that emphasise the interconnection of human and nonhuman life.
Diana Rose Newby
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A brief history of Guinea worm research in the modern period, 1698-1931. [PDF]
Roberts JD.
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