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Introduction: Nineteenth-century Popular Arts
Visual Resources, 2006As high art moved away from the universality of the classical ideal of the eighteenth century to a more romantic conception of art based on individual innovation and genius, it became less a force for social and cultural unity and more a forum for individual expression and critique.
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Race and Racism in Nineteenth-Century Art
2021Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in ...
Naurice Frank Woods Jr., George Dimock
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Censorship and the Representation of the Sacred in Nineteenth-Century England
, 2019In the early nineteenth century, the biblical sublime found expression in the visual arts, the novel, the oratorio, and poetry, but spoken drama remained secular by force of precedent and law.
Jan-Melissa Schramm
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Athens and Nineteenth-Century Panoramic Art
International Journal of the Classical Tradition, 1995This paper examines the panoramas of Athens to show how a modern audience creatively adapted the notion of Greece to its own purposes. Analyzing the paintings in terms of Picturesque art and of the rhetoric of visual representation, it asks what social and intellectual values underlie them.
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Male bonds in nineteenth-century art
2021Abstract: Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social ...
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Editors Statement: Nineteenth-Century French Art Institutions
Art Journal, 1989This collection of articles on nineteenth-century French art institutions is intended to demonstrate some of the new approaches of revisionism that are transforming our readings of the period. That such studies often seem to evoke nostalgia for “the good old days when art historians looked at works of art” (how often have I heard that complaint!) is to
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Women Art Critics in Nineteenth-Century France
2013Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century.
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Chrome yellow in nineteenth century art: historic reconstructions of an artists' pigment
, 2012V. Otero +3 more
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