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The African Review
Abstract Africa’s stance on the Russian-Ukraine war has elicited censure from the West, resulting in diplomatic bruises at the multilateral level. Efforts by the NATO countries to utilise multilateral fora, such as the United Nations, to generate unanimous condemnation of Russia and the application of diplomatic pressure bilaterally have not yielded ...
Linda Darkwa, Philip Attuquayefio
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Abstract Africa’s stance on the Russian-Ukraine war has elicited censure from the West, resulting in diplomatic bruises at the multilateral level. Efforts by the NATO countries to utilise multilateral fora, such as the United Nations, to generate unanimous condemnation of Russia and the application of diplomatic pressure bilaterally have not yielded ...
Linda Darkwa, Philip Attuquayefio
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“Non-Alignment is not for Socialism”. Yugoslav Non-Alignment during Détente
zeitgeschichte, 2022Nonalignment is not for Socialism.
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1984
First foreign reactions to the Saur coup tended to be cautious. While no-one could seriously doubt the pro-Moscow tendencies of the new government, or Marxist influences on its leaders, the consequences for Afghan foreign policy were only slowly revealed.
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First foreign reactions to the Saur coup tended to be cautious. While no-one could seriously doubt the pro-Moscow tendencies of the new government, or Marxist influences on its leaders, the consequences for Afghan foreign policy were only slowly revealed.
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2006
Abstract This chapter on ‘non-aligned’ humour (so called because it is not tied to either object or subject) excludes the Stoic satires of Persius, but argues that for Horace and Juvenal, non-aligned humour is an important characteristic of their work, adding a dimension of merry openness. Through non-aligned humour, Horace’s and Juvenal’
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Abstract This chapter on ‘non-aligned’ humour (so called because it is not tied to either object or subject) excludes the Stoic satires of Persius, but argues that for Horace and Juvenal, non-aligned humour is an important characteristic of their work, adding a dimension of merry openness. Through non-aligned humour, Horace’s and Juvenal’
openaire +1 more source