Results 281 to 290 of about 101,725 (312)
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Sibirskiy filologicheskiy zhurnal, 2022
The paper identifies the reasons for selecting potential words in the vocabulary of the Russian literary language of the first half and mid-19th century and determines the specifics of potential words in the historical aspect. The tasks of the study were
V. Gryaznova
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The paper identifies the reasons for selecting potential words in the vocabulary of the Russian literary language of the first half and mid-19th century and determines the specifics of potential words in the historical aspect. The tasks of the study were
V. Gryaznova
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A dicção híbrida e inespecífica da ficção de Veronica Stigger
Aletria: Revista de Estudos de Literatura, 2022This article aims to examine Veronica Stigger’s fictional writing process, from the notions of hybridism and unspecificity. From the first publications to the most recent works this writer has presented narratives that question the limits of some ...
Paulo Alberto da Silva Sales
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2021
Le genre de la non-fiction est venu depuis quelques annees brouiller les frontieres du discours comme les distinctions disciplinaires opposant l'ecrivain au geographe, au journaliste, a l'historien, au temoin, a l'ecrivant. A l'oppose du roman sur rien, emerge sous nos yeux une toute nouvelle litterature d'information, de temoignage, d'inventaire, de ...
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Le genre de la non-fiction est venu depuis quelques annees brouiller les frontieres du discours comme les distinctions disciplinaires opposant l'ecrivain au geographe, au journaliste, a l'historien, au temoin, a l'ecrivant. A l'oppose du roman sur rien, emerge sous nos yeux une toute nouvelle litterature d'information, de temoignage, d'inventaire, de ...
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, 2022
In this collection, contributors analyze the depiction of scientists in a wide range of films and television programs that span across genres, including horror, science fiction, crime drama, comedy, and children’s media.
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In this collection, contributors analyze the depiction of scientists in a wide range of films and television programs that span across genres, including horror, science fiction, crime drama, comedy, and children’s media.
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Cognition, 2009
The reported study follows the footsteps of Heider, and Simmel (1944) [Heider, F., & Simmel, M. (1944). An experimental study of apparent behavior. American Journal of Psychology, 57, 243-249] and Michotte (1946/1963) [Michotte, A. (1963). The perception of causality (T.R. Miles & E. Miles, Trans.).
Visch, V.T., Tan, E.S.
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The reported study follows the footsteps of Heider, and Simmel (1944) [Heider, F., & Simmel, M. (1944). An experimental study of apparent behavior. American Journal of Psychology, 57, 243-249] and Michotte (1946/1963) [Michotte, A. (1963). The perception of causality (T.R. Miles & E. Miles, Trans.).
Visch, V.T., Tan, E.S.
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Genre and the question of non-fiction
2011Environmental non-fiction in the tradition of Thoreau remains a major if hardly exclusive concern of twenty-first-century ecocriticism. To open any issue of Interdisciplinary Studies in Literature and the Environment , the journal of the Association for the Study of Literature and the Environment, is to still find at least as many studies of creative ...
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FACT AND ARTISTRY IN MODERN TEXTS: REVIEW OF SCIENTIFIC APPROACHES
Dynamics of Media SystemsNon-fiction (from English «non-fiction», literally – “non–fiction”) is non-fiction literature that includes various prose genres based on real events and facts.
Oleg A. Zverev
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Avtobiografskost sodobne slovenske kratke proze
Jezik in SlovstvoIn view of the ascertained phenomenon of genre syncretism and new genre constructions in contemporary literature, which are often also combinations of literary and non-literary genres (in our case of the research of the combination of various forms of ...
Blanka Bošnjak
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Pitannâ Lìteraturoznavstva
In literature – and, hence, in literary theory – it has been assumed that the author is not identical with the narrator. The opposite appears to be true of all non-fiction genres. Here, it seems essential that the author – for example in a reportage – is
M. Fechner
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In literature – and, hence, in literary theory – it has been assumed that the author is not identical with the narrator. The opposite appears to be true of all non-fiction genres. Here, it seems essential that the author – for example in a reportage – is
M. Fechner
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Excerpts from A Glossary of Non-essential Forms and Genres in English-Canadian Literature
Studies in Global Science Fiction, 2019Jordan Bolay
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