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Documentaries and the fiction/nonfiction divide
This paper rehearses a debate with Stacie Friend on the nature of the fiction/non-fiction divide. The paper first puts in a sharper focus the dividing issue, arguing that it is ontological in character. It focuses on how the distinction emerges in films,
M. García‐Carpintero
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The following chapter presents a short exploration of Nonfiction: its definition, an outline of its history and development, the issue of whether a literary/artistic form or merely a corpus of books providing useful information. In an attempt to reflect on quality Nonfiction for children, special attention is devoted to its ‘pictorial turn’ (Merveldt ...
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El campo literario post-15-M desde una perspectiva feminista
This article aims to study how the post-15-M literary field has been modified by feminism, after demonstrating the intertwining of the current thrust of the feminist movement in Spain and that of the 15-M movement.
Isabelle Touton
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Cultivating a Global Perspective through Refugee Narratives
The intention of this assignment is to use stories of refugee experience to cultivate a global perspective in the classroom. The final project of an intermediate college writing course (sophomore and junior level), this assignment asked students to ...
Michael T. MacDonald
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Virtual Reality nonfiction (VRNF) is an emerging form of immersive media experience created for consumption using panoramic "Virtual Reality" headsets.
C. Bevan +6 more
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Empowering or Responsibilising?
This article contributes to the limited body of work attending to girlhood in children’s nonfiction, with specific focus on collective biographies about women published since 2016.
Louise Couceiro
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O świecie zanurzonym w modalności
On a World Immersed in Modality. A review of: Siedlecka, Sylwia. Złote piachy [Golden Dusts]. Wołowiec: Czarne, 2019. The author presents an overview of the separate texts in Siedlecka’s book on post-communist Bulgaria.
Szwat-Gyłybowa, Grażyna
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T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
In the summer of 1939, Tom “Tennessee” Williams painted his first of several self-portraits. The year is significant because it also marked his entrance into the New York theatre world.
John S. BAK
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Tasmanian tigers and polar bears: The documentary moving image and (species) loss
In this essay I explore how two divergent examples of the nonfiction moving image can be understood in relation to the problem of representing species loss.
Belinda Smaill
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Children’s nonfiction once had a reputation as a lackluster genre. However, the nonfiction books published today are noteworthy for their appeal and quality.
Danielle E. Hartsfield
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