Results 51 to 60 of about 621 (193)

Is Time Travel Possible? Accidental Signs as Sociolinguistic “Wormholes”

open access: yesInternational Journal of Applied Linguistics, EarlyView.
ABSTRACT Sociolinguistics primarily focuses on deliberately staged public signs, while relatively less attention has been given to ephemeral and non‐deliberate signs in urban environments. This study investigates “ accidental signs,” which are hidden historical texts suddenly exposed by unpredictable events.
Ge SONG (宋歌)
wiley   +1 more source

Nostalgia in postmodern science fiction film

open access: yes, 2012
published_or_final_version ; English Studies ; Master ; Master of ...
openaire   +2 more sources

Printmaking as a Propaedeutic Space in Contemporary Art Education

open access: yesInternational Journal of Art &Design Education, EarlyView.
Abstract This article examines the relevance and formative value of printmaking within contemporary higher art education. Through a historical and conceptual review, it analyses the shift of printmaking from industrial and reproductive functions toward a space of artistic exploration, material enquiry and pedagogical reflection.
Carmen Castillo Moriano   +2 more
wiley   +1 more source

To infinity and back again: Hand-drawn aesthetic and affection for the past in Pixar's pioneering animation

open access: yesAlphaville: Journal of Film and Screen Media, 2015
In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. La Luna (Enrico Casarosa) marks a pivotal shift in Pixar's short film canon by displaying hand-drawn artwork and man-made ...
Helen Haswell
doaj   +1 more source

Perception of Virtual Reality by Senior vs. Junior Russian Cinema Audience: A Case Study of Cheburashka

open access: yesВиртуальная коммуникация и социальные сети, 2023
Virtual reality is integral to digital society, where members interact both in real and virtual environment. Cinematography triggers virtual communication between film viewers of all ages.
Mikhail G. Bresler, Daniil V. Yunusov
doaj   +1 more source

Disgrace, Weakness, Rubbish? Material Culture of the GDR in Selected German Films After 1990

open access: yesStudia Litteraria et Historica, 2020
The article focuses on the material culture of the German Democratic Republic (GDR) as portrayed in selected German films made after 1990 and set in the GDR.
Marta Brzezińska-Pająk
doaj   +1 more source

Between and Beyond: Negotiating Belonging Within Queer Borderlands

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Belonging is an affective, social and biopolitical phenomenon which is relationally negotiated and which produces material and symbolic ‘borders’. Subsequently, the politics of belonging refers to the construction, maintenance and policing of the borders of belonging.
Meg Poff
wiley   +1 more source

Remembering Independence, Debating the Nation: Ghana's National Days

open access: yesNations and Nationalism, EarlyView.
ABSTRACT In Ghana, Independence Day is the most important national day and has been annually observed since the attainment of independence in 1957. Additional national days that various military governments introduced to commemorate their ascension to power have been rather short‐lived. Other holidays like Republic Day or Founder's Day have been longer
Carola Lentz
wiley   +1 more source

Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four

open access: yesOrbis Litterarum, EarlyView.
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley   +1 more source

Blankness in post‐post‐postmodern poetry

open access: yesOrbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source

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