Results 11 to 20 of about 132,778 (264)

Polish Notation [PDF]

open access: yesFormalized Mathematics, 2015
Abstract This article is the first in a series formalizing some results in my joint work with Prof. Joanna Golinska-Pilarek ([12] and [13]) concerning a logic proposed by Prof. Andrzej Grzegorczyk ([14]). We present some mathematical folklore about representing formulas in “Polish notation”, that is, with operators of ...
openaire   +3 more sources

How Notations Are Developed: A Proposed Notational Lifecycle [PDF]

open access: yes, 2016
Notations develop over time. We propose that they characteristically pass through a series of development stages, starting very simple and becoming more complex, reaching a stage of complexity that hinders their usability: then, often, a new higher-level notation is developed that is once again simple, and will perhaps pass through the same development.
Thomas R. G. Green, Noora Fetais
openaire   +2 more sources

Notation Cultures: Towards an Ethnomusicology of Notation [PDF]

open access: yesJournal of the Royal Musical Association, 2019
AbstractThe ubiquity and diversity of notational practices in music suggest that notation is a significant part of human beings' musicking behaviour. However, it is difficult to address its function since the usual conception of notation in music scholarship is at odds with studying performance in the first place. This article presents a methodological
openaire   +2 more sources

A Notation for Comonads [PDF]

open access: yes, 2013
The category-theoretic concept of a monad occurs widely as a design pattern for functional programming with effects. The utility and ubiquity of monads is such that some languages provide syntactic sugar for this pattern, further encouraging its use.
Dominic A. Orchard, Alan Mycroft
openaire   +1 more source

The Musical Language of Kazimierz Serocki in the Light of the Composer’s Self-Reflection

open access: yesMusicology Today, 2015
The article is an attempt to reconstruct the fundamental elements of Kazimierz Serocki’s musical language on the basis of his own statements concerning his music. Those statements come first and foremost from his lectures prepared for the Meisterkurs für
Lindstedt Iwona
doaj   +1 more source

The Guitar as a Laboratory for Experimentation

open access: yesRevista Vortex, 2020
In this article, I will discuss the role of the electric guitar in the conception, development and composition of three recent works: Recessional Motion, Flexidra IV, and Volpi/Formentera.
Camilo A. Mendez San Juan
doaj   +1 more source

L’évaluation formative : un outil de progression [PDF]

open access: yesSynergies France, 2016
Pour mener à bien une formation en FLE, l’enseignant doit planifier au quotidien des activités de classe en fonction d’objectifs déterminés, qui reposent eux-mêmes sur la définition des besoins des apprenants. Il adopte alors une démarche en conséquence,
Paule Boissard
doaj  

Musik als Geschichte

open access: yesMuzikološki Zbornik, 2007
Musik als ...
Arnold Feil
doaj   +1 more source

Medieval Methods: Guido D’Arezzo’s Innovative Approaches to Music Education

open access: yesMusical Offerings, 2022
Music education has been influenced by many people throughout history, but arguably none of them have done so as much as the monk, Guido D’Arezzo. His teaching methods have been embraced and developed by music educators throughout the centuries.
Lydia C. Kee
doaj   +1 more source

Évaluation par compétences : les préoccupations des enseignants en matière d’évaluation au cours d’une expérimentation des « classes sans notes » dans un collège français

open access: yesMesure et Évaluation en Éducation, 2019
Cet article s’appuie sur une recherche collaborative menée de 2016 à 2018 dans un collège français sur les « classes sans notes », expérimentation qui propose une évaluation des élèves par compétences, et non plus avec des notes chiffrées.
Éric Saillot
doaj   +1 more source

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