Results 31 to 40 of about 116 (98)

Nuri Bilge Ceylan filmlerinde Dekadans

open access: yes, 2020
The roots of decadence, which is a phenomenon related to corruption, decay, disintegration, fall and decline in the general sense, may be traced back to the mythos and belief systems of ancient societies on intellectual background. The decadence phenomenon has been firstly used on a conceptual basis to explain the multidimensional disintegration ...
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Nuri Bilge Ceylan films editing

open access: yes, 2020
Nuri Bilge Ceylan Films in Turkish cinema in recent years, especially in the Cannes Film Festival attracts attention with the prizes received. In this achievement, this is achieved by Nuri Bilge Ceylan, who nearly returned from various festivals with almost every film, the dramatic narration, player management and photographic image framing, as well as
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"About Dry Grasses" and Nuri Bilge Ceylan’s Rhetoric

open access: yesBorder Crossing
In this study, I analyse Nuri Bilge Ceylan's About Dry Grasses through the lens of contemporary global and local politics. After briefly summarizing the plot, I explore the themes of illiberalism and anti-intellectualism. These issues are examined in relation to anti-individualism, human nature, tribalism, anti-universalism, anti-secularism, moral ...
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NURİ BİLGE CEYLAN SİNEMASINDA TARKOVSKY ÖYKÜNMESİ TARKOVSKY EMULATION AT NURİ BİLGE CEYLAN’S CİNEMA

open access: yesİstanbul Aydın Üniversitesi iletişim çalışmaları dergisi, 2015
Nurullah ÖZDEMİR, Bahar ÖZTÜRK
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Nuri Bilge Ceylan sinemasında aydın karakter temsilleri

open access: yes, 2022
Aydın kavramından önce onun yerine muhtelif kavramlar söz konusu olmuştur. Bu kavramlar arasından filozof ve entelektüellerin varlığından söz edilse de aydın kavramı modern anlamdaki tanımını Fransız İhtilali'yle kazanmıştır. Fransız İhtilali aydınların halk ile birlikte hareket ettiği, ortak bir toplumsal harekette bulunduğu bir dönemdir.
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Presentation Of Nuri Bilge Ceylan In Turkish Mass Media

open access: yes, 2018
Nuri Bilge Ceylan is the most famous Turkish film director with numerous international prizes. However, Ceylan’s presentation by the Turkish media is far from emphasizing his success, talent, creativity, style, technique, and cinematography. He often falls victim to undeserved and superficial criticism of “would be” critics who openly confess they did ...
Işık, Mehmet, Parlak, Zafer
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