Results 41 to 50 of about 78 (75)

Dissociation of feature-based motion and 'objectless' motion energy for direction discrimination within the sighted and blindsighted visual fields of a hemianope

Journal of Vision, 2010
P. Azzopardi, H. S. Hock
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Objectless Transitives in English

Objectless Transitives in English
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Trapping the Objectless

Leonardo, 2019
Through the epistemological lenses of quantum theory and phenomenological art, the authors describe their collaborative development of several artworks exploring electrodynamic levitation. Comprising diverse ion traps that enable naked-eye observation of charged matter interactions, these artworks question the murky boundaries of perceptibility and ...
Domnitch E., Gelfand D., Calarco T.
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Object vs. Objectless Motion

Proceedings of the 1st International Workshop on Perception Inspired Video Processing, 2014
Previous research has provided evidence for the existence of two processing pathways, one for the perception of object motion (based on the detection of counterchange) and the other for the perception of objectless motion (based on the detection of motion energy).
Matthew S. Seifert, Howard S. Hock
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Objectless Motion

2017
Abstract The sum of two sine waves of the same frequency is yet another sine wave. When a moving sinewave grating (e.g., continuously translating from left to right) is added to (superimposed on) a stationary sinewave grating (the pedestal) with twice the amplitude, the sum is a sine-wave grating that wobbles back and forth.
George Sperling, Zhong-Lin Lu
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Studio practice : experiments in objectless and objectiveless artmaking

2023
This exegesis reflects on a set of objectless and objectiveless art practices that compose my Studio Practice, which I propose as an approach to artmaking as study and to study as artmaking. In addition to reviewing the relevant theoretical concepts that inform my practice, I discuss four instances of my Studio Practice: the practice of Political ...
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Objectless activity: Marx's ‘theses on feuerbach’

Inquiry, 1985
According to Friedrich Engels (Ludwig Feuerbach and the end of classical German philosophy) the so‐called ‘Thesen uber Feuerbach’ are ‘the brilliant germ of the new world conception’. For Karl Korsch ('Review of Vernon Venable’, Journal of Philosophy 42 [1945], no.
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Objectless Curiosity: Frankenstein, The Station Agent, and Other Strange Narratives

Narrative, 2007
We proceeded at once to the Rue Morgue. This is one of those miserable thoroughfares which intervene between the Rue Richelieu and the Rue St. Roch. It was late in the afternoon when we reached it; as this quarter is at a great distance from that in which we resided. The house was readily found; for there were still many persons gazing up at the closed
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Objectless art experience: A new future projection

2022
Art undertakes the task of a cultural element that connects the artist to society. While the work created by the artist is a part of society, it also shapes the social culture with the effect of the changing understanding of art in the historical process.
ALTUNCU, Damla, AŞKIN, Gülsüm Damla
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So-Called “Objectless” Presentations

1977
Up to now, we have silently assumed that to every presentation without exception there corresponds an object. For every presentation, we have said, one must distinguish, not only the content from the act, but also from these entities a third one, namely, the object.
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