Results 1 to 10 of about 129 (116)

L’Ase Negre (1946 - 1949), première revue d’occitanisme politique d’après-guerre

Lengas, 2014
Testut coma un ase negre (literally: stubborn like a black mule), Ase Negre, resuming this saying showing the stubbornness of the young post-war occitanists Hélène Cabanes, Léon Cordes and Robert Lafont, is the new political review (that) they launched ...
Philippe Canales
doaj   +2 more sources

L’invention de la littérature baroque occitane : Félix-Marcel Castan et Robert Lafont

Les Dossiers du GRIHL, 2012
Our purpose here aims at describing the context of the first appearance of the syntagm “Occitan baroque” and to produce an analysis of the operations permitted by it, through the examination of intellectual endeavors related to the baroque of two of its ...
Jean-Pierre Cavaillé
doaj   +3 more sources

L’EOE, l’Escòla Occitana d’Estiu, centre de formation associatif et ses fondateurs Marceau Esquieu, Christian Rapin et Jean Rigouste

Lengas, 2018
As part of the research conducted by the two authors on Occitanism in Aquitaine, this contribution focuses on the founders of the Occitan summer school (created in Lot-et-Garonne in 1974), who were fully aware of the urgency of teaching the Oc language ...
Marie-Anne Châteaureynaud, Céline Piot
doaj   +2 more sources

Les questions féministes dans les revues occitanistes des années 1968 : entre revendications et négociations

Lengas
This article looks at how feminist issues were addressed in the Occitan movement of the Long 1968 period. Drawing on three journals that were close to the political and cultural sides of the movement, Lutte occitane, Per noste, and Fòrabanda, the article
Camille Courgeon
doaj   +2 more sources

Musiques et danses occitanes en Italie

In Situ
The creation and dissemination of music and dance specific to the Occitan valleys of Italy is undoubtedly the greatest achievement of the Occitanist movement, since it has helped to create contexts of sociability and promote an image of Occitanism both ...
Silvia Chiarini
doaj   +2 more sources

La lenga d’òc sus lo riddim

Lengas, 2021
At the end of the 1980s a new musical movement of Occitan expression developed. Its influences were linked to the arrival of rap and raggamufin, two genres that were growing at the time. Based on three important groups (Fabulous Trobadors, Massilia Sound
Sylvan Chabaud
doaj   +1 more source

La Nòva Cançon occitana : révolution en occitan, révolution dans la chanson occitane ?

Lengas, 2013
Marti, Patric, Mans de Breish, d’autres encore : ceux qui dans l’immédiat après 68 modifient radicalement le paysage culturel d’oc et l’image de sa langue, en faisant de la chanson l’arme de diffusion massive du message révolutionnaire de l’occitanisme ...
Philippe Martel
doaj   +1 more source

Un sociologue des religions en occitanisme, Jean (-Baptiste) Séguy

Lengas, 2019
Jean Séguy (1925-2007), a researcher at the CNRS, devoted a significant part of his time for a period of fifteen years, in parallel with his more "official" career as a sociologist of internationally recognized religions, to research in the Occitan field.
Philippe Gardy
doaj   +1 more source

Pierre Bec et sa contribution à une typologie des genres lyriques médiévaux, questions d’histoire des sciences et d’épistémologie, entre structuralisme et pratique occitaniste

Lengas, 2017
This paper proposes a study of the contribution of Pierre Bec to create a typology of the French medieval lyric poetry. Considering its thought and practice it can be considered that he was very influenced in his work by the development of structuralist ...
Marjolaine Raguin-Barthelmebs
doaj   +1 more source

De Lutte occitane à Volèm Viure Al Païs : vers un (in)certain nationalisme

Lengas
The 1970s saw the re-emergence of politics in Occitanism, first through the Lutte occitane movement, a leftist self-management organisation, and then, from 1974, with the Volèm Viure Al Païs committees.
Yan Lespoux
doaj   +1 more source