Results 1 to 10 of about 89 (88)
At the end of the 1980s a new musical movement of Occitan expression developed. Its influences were linked to the arrival of rap and raggamufin, two genres that were growing at the time. Based on three important groups (Fabulous Trobadors, Massilia Sound
Sylvan Chabaud
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‘Je suis corse, un homme de village’: Towards a Study of Contemporary Corsican Nationalism (1959–98)
Abstract This article reconstructs the genesis and developments of contemporary Corsican nationalism between 1959 to 1998, from the emergence of regionalism to the most dramatic phase of the resurgence of violence represented by the murder of Prefect Claude Érignac.
DEBORAH PACI
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Negation in Contact: French and Occitan
Abstract Development of negative markers along the lines of the well‐known Jespersen's Cycle occurred in a wide number of languages. This article investigates the possibility of contact playing a role in such developments in Lengadocian Occitan. The evolution of negation in Lengadocian Occitan followed two main lines.
Xavier C. A. Bach
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Abstract This paper introduces and discusses Occitan sociolinguistics as it evolved from the 1970s onward as a theory of language contact as conflict. It was developed in conjunction with its Catalan counterpart and as a reaction to Joshua Fishman's allocational model of diglossia, and came as a response to conditions of swift social and linguistic ...
James Costa
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La Nòva Cançon occitana : révolution en occitan, révolution dans la chanson occitane ?
Marti, Patric, Mans de Breish, d’autres encore : ceux qui dans l’immédiat après 68 modifient radicalement le paysage culturel d’oc et l’image de sa langue, en faisant de la chanson l’arme de diffusion massive du message révolutionnaire de l’occitanisme ...
Philippe Martel
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Abstract The leading elites of the ethnonationalist movements that developed in the aftermath of World War I in Western Europe usually refused to see their nations and territories as ‘national minorities’. In their view, they were stateless nations or nationalities.
Xosé M. Núñez Seixas
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L’Ase Negre (1946 - 1949), première revue d’occitanisme politique d’après-guerre
Testut coma un ase negre (literally: stubborn like a black mule), Ase Negre, resuming this saying showing the stubbornness of the young post-war occitanists Hélène Cabanes, Léon Cordes and Robert Lafont, is the new political review (that) they launched ...
Philippe Canales
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L’invention de la littérature baroque occitane : Félix-Marcel Castan et Robert Lafont
Our purpose here aims at describing the context of the first appearance of the syntagm “Occitan baroque” and to produce an analysis of the operations permitted by it, through the examination of intellectual endeavors related to the baroque of two of its ...
Jean-Pierre Cavaillé
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This paper proposes a study of the contribution of Pierre Bec to create a typology of the French medieval lyric poetry. Considering its thought and practice it can be considered that he was very influenced in his work by the development of structuralist ...
Marjolaine Raguin-Barthelmebs
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Un sociologue des religions en occitanisme, Jean (-Baptiste) Séguy
Jean Séguy (1925-2007), a researcher at the CNRS, devoted a significant part of his time for a period of fifteen years, in parallel with his more "official" career as a sociologist of internationally recognized religions, to research in the Occitan field.
Philippe Gardy
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