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The Sociology of Octavio Paz

Der Mensch Im Netz Der Kulturen, 2009
Oliver Kozlarek
exaly   +4 more sources

Octavio Paz

2019
Octavio Paz (b. 1914–d. 1998) ranks among the most influential Latin American poets and intellectuals of the twentieth century. Fully engaged in the artistic experimentation and critical spirit of modernity, he wrote more than twenty books of poetry and as many book-length essays on such topics as eroticism, poetry, politics, history, anthropology, and
Clara Román-Odio   +2 more
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Octavio Paz

PMLA/Publications of the Modern Language Association of America, 2006
The publishing house cuadernos americanos has just released a good book, El laberinto de la soledad [The Labyrinth of Solitude], written by a Mexican author who is already known as a good poet and who now makes his debut as a critic and essayist. The book gives us more than the title promises: it contains the solitude necessary for thinking, but the ...
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Octavio Paz

2020
Octavio Paz: Ontology and Surrealism discusses poet Octavio Paz (1914–1998), one of Mexico´s most controversial intellectuals. Over several decades, Paz has been celebrated for his impact on literature and culture as a poet as well as an essayist, and he is recognized as a great thinker and as a student of German ontology and phenomenology.
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Octavio Paz

Hispania, 1981
Edward J. Mullen, Alfredo Roggiano
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Remembering Octavio Paz

World Literature Today, 1999
By MANUEL DURAN I first met Octavio Paz in Paris, in 1951. I was studying Spanish and comparative literature at the Sorbonne. Paz was the Cultural Attache of Mexico. Born in 1914, he had started to write poetry while still very young, around 1931, and was already famous in Mexico and well known in France and elsewhere. What struck me from the start was
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To Octavio Paz

World Literature Today, 2015
null Yau Ching   +1 more
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Octavio Paz

Hispania, 1988
David G. Anderson, Jason Wilson
openaire   +1 more source

Octavio Paz

Review: Literature and Arts of the Americas, 1970
Naomi Bliven   +2 more
openaire   +1 more source

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