Results 91 to 100 of about 86,544 (224)

City of God and the Duty of Just Memory

open access: yesModern Theology, EarlyView.
Abstract In a recent essay, Richard Miller claims that Augustine presumes a duty to remember justly in his City of God. However, Miller's brief reference to a presumed duty of “just memory” does not fully explain how Augustine conceptualizes this duty or how it relates to his theological concerns.
Zachary J. Taylor
wiley   +1 more source

Les Rivaux d'un Moment // Opéra en un acte (manuscrit autographe)

open access: yes
Relieur : Leterrier (17..-18..? ; papetier). RelieurTitre uniforme : Champein, Stanislas (1753-1830). Compositeur. [Les rivaux d'un moment]Opéra-comique en 1 acte et 10 nos. - Livret de Jean-François-Jacques Corsange.
Champein, Stanislas (1753-1830). Compositeur
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Fantasies of the Dialectical Imagination: a Response to James Davis

open access: yesMusic Analysis, EarlyView.
ABSTRACT This article responds to the various criticisms raised against my work on the nature and function of music analysis by James Davis in his article ‘Against the New Musical Idealism: Or, Listening for What May Be Otherwise’, Music Analysis, 45/i (2026).
Julian Horton
wiley   +1 more source

Civilizing the Nation: Travel, Civility and Bourgeois Nationalism in Israel

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This article reads The Lapid Guide to Europe, a bestselling Hebrew‐language travel guide published from the 1970s to the 1990s, as a form of bourgeois nationalism enacted through everyday practices of behaviour. Written by journalist and Holocaust survivor Tommy Lapid, the guide operated as civic pedagogy, instructing Israeli travellers in ...
Daniel Mahla
wiley   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

open access: yesPacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

OPÉRA

open access: yes
Transcript of OPÉRA, unsigned, appearing in LA FRANCE, 31 mars 1836, pp.

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[La Princesse jaune : opéra-comique en un acte] (manuscrit autographe)

open access: yes, 1871
Titre uniforme : Saint-Saëns, Camille (1835-1921). Compositeur. [La Princesse jaune. R 287]Opéra-comique en un acte sur un livret de Louis Gallet. - Partition d'orchestre, manuscrit autographe non daté, non signé. - Mise au net ayant servi à l'exécution (
Saint-Saëns, Camille (1835-1921). Compositeur
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Periodontitis and rheumatoid arthritis—Global efforts to untangle two complex diseases

open access: yesPeriodontology 2000, EarlyView.
Abstract Understanding the impact of oral health on rheumatoid arthritis (RA) will inform how best to manage patients with both periodontitis and RA. This review seeks to provide an update on interventional and mechanistic investigations, including a brief summary of European Research programs investigating the link between periodontitis and RA. Recent
Isabel Lopez‐Oliva   +2 more
wiley   +1 more source

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503)☆

open access: yesRenaissance Studies, EarlyView.
Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley   +1 more source

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