Results 211 to 220 of about 4,606 (284)

Representationalism and the Spatial Representational Contents of Afterimage Experiences

open access: yesAnalytic Philosophy, EarlyView.
ABSTRACT Experiences of afterimages have often been cited as counterexamples to representationalism about vision, that is, as counterexamples to the thesis that the phenomenal character of a visual experience is completely determined by its representational content. In this paper, I discuss a possible counterexample to representationalism that is based
René Jagnow
wiley   +1 more source

Screening test for early detection of myopia based on hybrid images. [PDF]

open access: yesSci Rep
Tommasi F   +5 more
europepmc   +1 more source

AI Alignment Versus AI Ethical Treatment: 10 Challenges

open access: yesAnalytic Philosophy, EarlyView.
ABSTRACT A morally acceptable course of AI development should avoid two dangers: creating unaligned AI systems that pose a threat to humanity and mistreating AI systems that merit moral consideration in their own right. This paper argues these two dangers interact and that if we create AI systems that merit moral consideration, simultaneously avoiding ...
Adam Bradley, Bradford Saad
wiley   +1 more source

A Theory of Sense‐Data

open access: yesAnalytic Philosophy, EarlyView.
ABSTRACT I develop and defend a sense‐datum theory of perception. My theory follows the spirit of classic sense‐datum theories: I argue that what it is to have a perceptual experience is to be acquainted with some sense‐data, where sense‐data are private particulars that have all the properties they appear to have, that are common to both perception ...
Andrew Y. Lee
wiley   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Reading Dürer in Late Sixteenth‐Century Padua: Matteo Macigni (ca. 1510–1582), His Library and the Annotated Institutionum geometricarum (Paris, 1535)

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
wiley   +1 more source

Artifex Ars Cartographica: Collaboration Between Portuguese Painters and Cartographers in the Fifteenth and Sixteenth Centuries

open access: yesRenaissance Studies, EarlyView.
ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley   +1 more source

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