Results 11 to 20 of about 1,369 (218)

MUSICAL EXEGESIS, IN THE TRANSYLVANIAN STYLE, COMPOSED BY DIMITRIE CUNTANU, AT OUR LORD’S BIRTH CATAVASIA

Studia Universitatis Babeş-Bolyai. Musica, 2021
The Orthodox religious music in Transylvanian tradition has a unique history. It gained an important place in the Romanian musical heritage, by the way it managed to adapt to Romanian, in its own style, the psaltic musical repertoire, of Byzantine ...
Daniel MOCANU
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VASILE PETRAȘCU. THE TRANSYLVANIAN RELIGIOUS MUSIC BETWEEN STABILITY AND CONTINUITY

Studia Universitatis Babeş-Bolyai. Musica, 2020
From a diachronic perspective, the Transylvanian Religious Orthodox music can be defined by two specific and complementary characteristics: stability and dynamics.
Daniel MOCANU
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Digital-based Gamad music learning [PDF]

SHS Web of Conferences
Gamad music is a traditional art found in Padang City which is spread in various regions in West Sumatra. Usually Gamad music is learned based on oral tradition, currently the oral learning system is an obstacle in transferring knowledge from generation ...
Darsono Ali, Sukmayadi Yudi, Masunah Juju   +2 more
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From Neumes to Notes: The Evolution of Music Notation

Musical Offerings, 2013
New things are often viewed as being better and more advanced than older counterparts; however, new does not denote superior. Music notation serves as one example of an innovation that is both lauded and derided.
Hope R. Strayer
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Reclaiming songs of wisdom in rural Bangladesh

Nordic Journal of Comparative and International Education, 2022
What kind of music teaching and learning takes place among folk musicians and young ones, aiming to reclaim their oral tradition and educate new master teachers?
Maria Jordet
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Tsuur and khumei in the sources of oral culture

Nomadic Civilization: Historical Research, 2021
There are many sources of Mongolian music in Mongolian and Chinese oral and written sources, including the Tsuur. ” Echoes cannot be imagined without the organ of speech, and this is the main feature of their color imitation. This is because the evidence
L. Kherlen
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Sciences cognitives et traditions d’enseignement oral de la musique classique indienne

Revue Internationale d’Éducation de Sèvres, 2017
Indian classical music (ICM) is one of the oldest musical traditions. It is an oral tradition. Various techniques and methods are unique to this oral method of teaching and the Guru–Shishya (teacher–student) tradition of teaching has been considered ...
Shantala Hegde
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The symbiosis between tradition and modernity in the works of Tiberiu Olah and Anatol Vieru [PDF]

Zbornik Radova Akademije Umetnosti, 2019
The apparently antagonistic relation 'tradition - innovation' lays at the foundation of European art music as permanent transfer, as a complementary binomial. In higher education music institutions, there is also a strong connection between tradition and
Lupu Olguta
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A Byzantine Chant Collection From Sicily. A Cοllaboration Between Cοpenhagen and Piana degli Albanesi (Palermo)

Kulturstudier, 2016
The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae,
Giuseppe Sanfratello
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Serbian Church Chant as Intangible Cultural Heritage – Preliminary View from Interdisciplinary Perspective

Etnoantropološki Problemi, 2021
Serbian church chant represents traditional liturgical chant of Serbian Orthodox Church. It has its foundations in Greek medieval musical tradition and Serbian folk singing. Most probably it is established during the 18th and at the beginning of the 19th
Nataša Marjanović, Marija Brujić
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