Results 11 to 20 of about 83,453 (301)

Acoustic Design of Ancient Buildings: The Odea of Pompeii and Posillipo

open access: yesBuildings, 2020
In this paper, a typology of a building erected in Ancient Greece and Ancient Rome is described: the Odeon. The Odeon is a covered building, but more modest in size than traditional open-air theatres without roofs.
Giuseppe Ciaburro   +3 more
doaj   +1 more source

Lucas e a Orquestra dos Prazeres: canto de vivência, performance e resistência

open access: yesConfluenze, 2021
The focus of this text is the collective and ancestral information of the Orquestra dos Prazeres, guided by the Brazilian multi-artist Lucas dos Prazeres.
Rafael Alexandre Gomes dos Prazeres   +1 more
doaj   +1 more source

A Socially Constructed Individualist: An Interactionist Study of Role-Making among Orchestral Conductors

open access: yesQualitative Sociology Review, 2022
The paper analyzes the role-making of an orchestral conductor. It is framed by the symbolic interactionist perspective and focuses on Ralph Turner’s role-making theory and the works of Alfred Schütz and Howard S. Becker and associates.
Dominika Byczkowska-Owczarek
doaj   +1 more source

THE FOLKLORE CREATION CIULEANDRA IN THE JAZZ INTERPRETATIVE VERSION OF THE COMPOSER A. ȘTEFĂNET [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
In the center of the author’s attention is the composition „Ciuleandra” from M.Tănase’s repertoire in the performing vision of A. Ștefaneț, leader of „Trigon”,, ethno jazz group, which represents a unique example in the contemporary jazz practice of the ...
PINTILIE-ROMANENCO, CRISTINA
doaj   +1 more source

A motivação para o desenvolvimento do trabalho de músicos de orquestra The motivation for developing the work of orchestra musicians

open access: yesPer Musi, 2012
A motivação pode interferir na profissão musical, principalmente, pela necessidade constante da prática instrumental. No entanto, a literatura especializada não apresenta com clareza os principais fatores motivacionais para esta atividade profissional ...
Fausto Kothe   +3 more
doaj   +1 more source

THE ROLE OF THE ORGAN IN THE WORKS OF ZOLTÁN KODÁLY [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
Zoltán Kodály composed only two works for organ solo, the Organ Mass (Organoedia) and a Praeludium, which forms the introductory movement to the Pange lingua choral work.
Noémi MIKLÓS
doaj   +1 more source

Utajená skladba Janáčkova politického vzdoru : ke genezi a recepci "slovanské rapsodie" Taras Bulba

open access: yesMusicologica Brunensia, 2017
The "Slavonic rhapsody" Taras Bulba is an example of Janáček's lifelong Russophilia. The composer adhered to the Russian culture through the declared Slavic patriotism in his early youth, all this being closely connected with the feelings of liberation ...
Jiří Zahrádka
doaj   +1 more source

L’instrument de musique : réflexions sur le geste, l’écoute et la création

open access: yesMethodos, 2011
Musical sound is fundamentally vibration, and the character of that vibration depends on the instruments employed in the making of sound. To be faithful to the instruments envisaged by a composer of a musical work isn’t simply a matter of authenticity ...
Jerrold Levinson
doaj   +1 more source

Songs during the Canonization Mass of Blessed Kinga Chaired by Pope John Paul II in Stary Sącz (June 16, 1999)

open access: yesThe Person and the Challenges, 2019
The 7th Pilgrimage of the Holy Father to Poland was a special time for the Tarnowski Church community, because during the pilgrimage John Paul II was to come to Stary Sącz to canonize Saint Kinga. An important element of any liturgical meeting are song
Stanisław Garnczarski
doaj   +1 more source

Making "Uirapuru": a musical quest in the Brazilian Rain Forest

open access: yesBoletim do Museu Paraense Emílio Goeldi. Ciências Humanas
Sixty years ago the author, an Israeli film student at the University of California, Los Angeles, set out to make a film based on a Brazilian Indian legend which had been set to music by Heitor Villa-Lobos (1887-1959). Filming was carried out among Urubú-
Sam Zebba
doaj   +1 more source

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