Results 1 to 10 of about 81,636 (190)

Pipe organ and organ music in Poland as a part of world heritage [PDF]

open access: yesMuzeológia a Kultúrne Dedičstvo, 2022
The pipe organ, as a musical instrument and an important object of cultural heritage, has been gaining increasing interest from the international community in recent years.
Sebastian Bernat
doaj   +1 more source

Études anglaises, musique et imaginaire instrumental

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2021
This brief presentation of a recently published study, Dr Charles Burney and the Organ (‘Elements Series’, Cambridge University Press), highlights the relevance of including music into the field of English studies.
Pierre Dubois
doaj   +1 more source

De l’orgue au septième ciel. Pour une spéléologie du souffle-désir

open access: yesTransposition, 2021
This research offers an experimental excursion through the vibrant erotic tonalities of the subterranean landscape, those of the limestone cave in particular, using literary sources and the author’s own speleological adventures.
Charlotte Vaillot Knudsen
doaj   +1 more source

Musique du Laos, une identité plurielle : tradition, nationalisme et patrimonialisation

open access: yesMoussons, 2022
“Tradition, Nationalism and Patrimonialisation” illustrate three living performance contexts. In Laos, the institutionalization of music is developing through the creation of national music and the supervision of its transmission. The phenomenon takes as
Véronique de Lavenère
doaj   +1 more source

To the perfect instruments of Arnolt Schlick

open access: yesСовременные проблемы музыкознания, 2020
Arnolt Schlick was a Palatine organist, composer and organ expert of the Renaissance who is best known for Spiegel der Orgelmacher und Organisten (1511), a treatise on building organs.
Fedosia W. Tabyisova
doaj   +1 more source

Hydraulophone design considerations : absement, displacement, and velocity-sensitive music keyboard in which each key is a water jet [PDF]

open access: yes, 2006
We present a musical keyboard that is not only velocity-sensitive, but in fact responds to absement (presement), displacement (placement), velocity, acceleration, jerk, jounce, etc. (i.e. to all the derivatives, as well as the integral, of displacement).
Janzen, Ryan, Mann, Steve, Post, Mark
core   +2 more sources

Les répétitifs, la machine et l’instrument

open access: yesMethodos, 2011
« Repetitive Music, the machine and the instrument ». The poetics of American repetitive composers Terry Riley, Steve Reich and Philip Glass are based on a specific use of musical instruments.
Johan Girard
doaj   +1 more source

The Dilemmas of Flexibilisation of Vocational Education and Training: A Case Study of the Piano Makers

open access: yesInternational Journal for Research in Vocational Education and Training, 2021
Context: Dual VET systems are often praised for their labour market proximity because of economic stakeholders’ involvement. However, when labour market requirements change rapidly, a lack of flexibility is attributed to them.
Carmen Baumeler   +2 more
doaj   +1 more source

D’Annunzio fruitore di musica a Venezia

open access: yesArchivio d’Annunzio, 2015
Through an examination of the correspondence, published and unpublished, the comparison of the press of the time with the biography and literary production of d’Annunzio, it is possible to know which music he listened to and comprehend his ...
Uras, Lara Sonja
doaj   +1 more source

INSTRUMENTO, CATEGORÍA PARA LA COMPRENSIÓN DEL NUEVO MUNDO

open access: yesTópicos, 2013
The variety of meanings of the word ‘instrument’ produced during the XVI century —throughout the works of Bernardino de Sahagún in General History of the Things of New Spain and Francisco Hernández’s Antiquities of New Spain—, such as implement utensil ...
Alberto Saladino García
doaj   +1 more source

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