Results 91 to 100 of about 81,700 (254)
ABSTRACT This article considers how trans lives are mediated across literary, painterly and filmic registers in Paul B. Preciado's Orlando, My Political Biography (2023). My analysis draws on Andrew Webber's development of reading practices applied to intertextual works that also exhibit interpictorial and interfilmic dynamics in his reading of a scene
Lawrence Alexander
wiley +1 more source
Faculty Concert, Bayla Keyes and Robert Merfeld, Wednesday, January 17, 2001 [PDF]
This is the concert program of the Faculty Concert of Bayla Keyes and Robert Merfeld on Wednesday, January 17, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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A Conversation With David Bellhouse
Summary David Richard Bellhouse was born in Winnipeg, Manitoba, on 19 July 1948. He studied actuarial mathematics and statistics at the University of Manitoba (BA, 1970; MA, 1972) and completed his PhD at the University of Waterloo, Ontario, in 1975. After being an Assistant Professor for 1 year at his alma mater, he joined the University of Western ...
Christian Genest
wiley +1 more source
Jazz in British new wave cinema - An interview with Sir John Dankworth [PDF]
Sir John Dankworth, the eminent English composer, conductor, bandleader and jazz musician has written in many genres, including composing over 20 film scores. Of these, Saturday Night and Sunday Morning (1960), The Criminal (1960), The Servant (1963) and
Griffith, FL
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In this study, 100 cadaveric temporal bones underwent synchrotron radiation phase‐contrast imaging. Images were segmented to produce 3D surface mesh models for morphological analysis. Measurements obtained for all cochleae included: standard gross dimensions, various cochlear lengths including basilar membrane length, detailed intracochlear scalar ...
Sumit K. Agrawal +4 more
wiley +1 more source
Boston University Wind Ensemble, Tuesday, October 17, 2000 [PDF]
This is the concert program of the Boston University Wind Ensemble performance on Tuesday, October 17, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Organizational Soundscapes and the Sonicity of Voices: The Power of the ‘Sounds’ that Carry ‘Words’
Abstract Organizations are soundscapes – they resonate with sounds and particularly the sounds of voices. Somehow however voice sonics, that is the sounds of voices and not the words carried on those sounds, have escaped attention in management studies. This absence of analysis is peculiar given voice sonics' undoubted influence on management (they may
Nancy Harding, Jackie Ford
wiley +1 more source
Faculty concert: Eric Ruske and Julian Wachner, February 21, 2001 [PDF]
This is the concert program of the Faculty Concert on Wednesday, February 21, 2001 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata IV by George Frideric Handel, Sicilienne, Op.
School of Music, Boston University
core
This paper considers the boundary between the library and information science (LIS) specialist and the music specialist's approach to music classification, and shows how crossing this boundary enhances knowledge on both sides. Musical medium – in other words, the forces needed to rehearse or perform a musical work – is at the heart of music ...
openaire +2 more sources
The Power of Posting: An Examination of CEO Social Media Celebrity
Abstract The increasing prevalence of social media has prompted discussions regarding its impact on the social evaluations of organizational leaders. In this study, we develop the construct of CEO social media celebrity, which arises when a CEO obtains high levels of attention and positive emotional responses from audiences on social media.
Ann Mooney +2 more
wiley +1 more source

