Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt [PDF]
, 2014 The analysis of the creative processes involved in electroacoustic music may to a large extent rely on the thorough study of the technological tools used for the realisation of a musical work, both on the composition and on the performance sides ...
Bonardi, Alain, Dufeu, Frédéric
core
INTERDISCIPLINARY VIEW ON THE THEORY AND METHODS OF MUSIC PEDAGOGY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 Current trends in the development of the methodological basics of music pedagogy are considered in the context of the interdisciplinary strategy of scientific research with the cultural vector prioritized within its framework.
KINDRATIUK BOHDAN
doaj
Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang
Journal of Urban Society's Arts, 2020 This research examines the production process of making Minangkabau wind instrument, Bansi, produced by Hamdan Thawil. This research began by observing the stages of making Bansi, then about production factors that affect the production process.
H. Hidayat +2 more
semanticscholar +1 more source
Creativity, co-evolution and co-production
TechnophanyWith the understanding that art and technology continue to experience a (rapidly escalating) historical rapprochement, but also with the understanding that our comprehension of art and technology has tended to be constrained by scientific rigour and ...
Renzo Filinich, Christo Doherty
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Towards Behavioral Aesthetics [PDF]
The Polish Journal of Aesthetics, 2019 This article presents a new approach to studying aesthetics by weaving together a thread of ideas based on investigating the problematics of the philosophy of art from a behavioral paradigm in order to exceed the margins of aesthetics.
Adrian Mróz
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Lute, Vihuela, and Early Guitar [PDF]
, 2018 Producción CientíficaLutes, guitars, and vihuelas were the principal plucked instruments in use in Europe until around 1800. Ancient forms of the lute existed in many parts of the ancient world, from Egypt and Persia through to China.
Griffiths, John, Kieffer, Paul
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The erhu and its role as a vehicle for syncretic music performance in Singapore : a thesis presented in fulfillment of the requirements for the degree of Master of Philosophy in Music at Wellington Conservatorium of Music, Massey University, Wellington, New Zealand [PDF]
, 2004 This thesis examines the erhu, a bowed lute from China and its development as a vehicle for syncretic music-making in Singapore. Chapter One considers the erhu's status in Chinese culture and focuses on the differences between how the erhu was perceived ...
Lok, Lay Hong
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The Changes Of Sasando Music Organology In Kupang East Nusa Tenggara
, 2020 Sasando is a traditional musical instrumen which is played by picked and it comes from Rote Island, East Nusa Tenggara Province (NTT). To maintain the existence of this instrument in order to remain and be attractive in the eyes of the world, the artists
Margareta Sofyana Irma Kaet +2 more
semanticscholar +1 more source
Archives of Acoustics, 2013 Organologic and campanologic acoustical problems due to applications to sacral objects are characterized on ground of numerous reviewed publications and engineering reports. Participation of several involved research centres, mostly Polish, at solving
Gustaw BUDZYNSKI
doaj
Musical iconography by travel artists in nineteenth century Brazil
Visualidades, 2015 This article examines musical scenes with plucked chordophones in the works of the two most important travel artists in nineteenth century Brazil, the French painter Jean-Baptiste Debret, and the German artist Johann Moritz Rugendas.
Renato Moreira Varoni de Castro
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