Results 41 to 50 of about 5,729 (209)

Rethinking the nineteenth‐century museum via the Ottoman imperial museum

Literature Compass, Volume 21, Issue 1-3, January-March 2024.
Abstract Most accounts of the Ottoman Imperial Museum view the museum primarily as a Westernization project for the Ottoman Empire. In such readings, the museum follows a teleological trajectory toward the European norm. This article reads several of the early practices of the Ottoman Imperial Museum (such as interactive museum displays and the sultan ...
Sezen Ünlüönen
wiley   +1 more source

Vision du Monde Reflected in Orhan Pamuk's Istanbul: Memories and the City (2005): A Postcolonial Approach [PDF]

, 2016
The major problem of this study is how the Vision du Monde of Istanbul society in Istanbul: Memories and the City (2005) is reflected by postcolonial perspective. The objective of this study is to analyze the society’s Vision du Monde written in Istanbul:
Arfiani, Dini
core  

MAXIMALISM OF ORHAN PAMUK’S NOVELS

Journal of English Language and Literature, 2022
The term maximalism refers to fictional works, particularly novels that are unusually extensive and complicated. They have a digressive style, and employ a diverse range of literary devices and techniques. The current work develops a Maximalism in postmodern critical analysis of Orhan Pamuk's works.
Shubhashree Chakraborty, Dr. Diksha Sharma   +1 more
openaire   +1 more source

La belleza cotidiana de la Enfermería

Revista de la Facultad de Ciencias de la Salud, 2022
El premio nobel de literatura del año 2006, Orhan Pamuk, publicó la novela biográfica El museo de la inocencia poco tiempo después de haber ganado el nobel.
Luis Guillermo Jaramillo
doaj   +1 more source

Tale or new life? A reading of the novel new life according to the morphology of folktale [PDF]

, 2013
Yıldız Ecevit, “metinlerarasılık” kavramını, postmodern romanlarda, bir metnin kendisinden önce yazılmış bir metne yapısal ya da bağlamsal gönderme yapması biçiminde tanımlamaktadır.
Türker, Elif
core  

Change of Identity in Orhan Pamuk’s The White Castle [PDF]

, 2016
Ferit Orhan Pamuk who has received international acclaim for his writings is the Turkish first Nobel Laureate. He has penned eight novels, a screenplay, and several works of non-fiction.
Shuaib Mohammad Bhat
core   +2 more sources

INTERTEXTUALITY IN THE NOVELS OF ORHAN PAMUK

Tạp chí Khoa học Đại học Đà Lạt
This study focuses on interpreting intertextuality in the novels by Orhan Pamuk in terms of dialogue with Turkish historical, cultural, and social discourse, focusing on mechanisms of intertextual citation and the integration and mixing of genres ...
Tuan Anh Pham
doaj   +1 more source

Çağdaş Türk Romanında Din ve Siyaset İlişkisi: ‘Kar’ Örneği

Cumhuriyet İlahiyat Dergisi, 2017
Öz: Bu makale Orhan Pamuk’un Kar romanından hareketle çağdaş Türk romanında din ve siyaset ilişkisine odaklanmıştır. Çalışma, Türkiye’nin yakın dönemdeki dini ve siyasi tartışmalarına edebi bir kurgu ile yaklaşan Kar’da din-siyaset ilişkilerinin nasıl ...
Şaban Erdiç
doaj   +1 more source

Ist literarische Übersetzung eine Kulturbrücke? : Das Verschwinden der kulturellen und sprachlichen Differenzen in der literarischen Übersetzung [PDF]

, 2011
“Translational turn” in the cultural studies and “the cultural turn” in the translation studies show that the term “culture” is very important in the literary translation.
Öztürk, Kadriye
core  

PAINTING INSPIRATIONS IN ORHAN PAMUK’S MY NAME IS RED, JOSÉ SARAMAGO’S BLINDNESS, IRVING STONE’S LUST FOR LIFE, AND DAN BROWN’S THE DA VINCI CODE FROM A COMPARATIVE PERSPECTIVE

Tạp chí Khoa học Đại học Đà Lạt
This article aims to identify and compare the inspiration drawn from painting and its influence on the thematic content and artistic form of four novels: My Name is Red by Orhan Pamuk, Blindness by José Saramago, Lust for Life by Irving Stone, and The Da
Huynh Xuan Tien Mai, Thi Hong Hanh Nguyen   +1 more
doaj   +1 more source