Results 51 to 60 of about 5,455 (189)

PAINTING INSPIRATIONS IN ORHAN PAMUK’S MY NAME IS RED, JOSÉ SARAMAGO’S BLINDNESS, IRVING STONE’S LUST FOR LIFE, AND DAN BROWN’S THE DA VINCI CODE FROM A COMPARATIVE PERSPECTIVE

Tạp chí Khoa học Đại học Đà Lạt
This article aims to identify and compare the inspiration drawn from painting and its influence on the thematic content and artistic form of four novels: My Name is Red by Orhan Pamuk, Blindness by José Saramago, Lust for Life by Irving Stone, and The Da
Huynh Xuan Tien Mai, Thi Hong Hanh Nguyen   +1 more
doaj   +1 more source

Twombly’s Anatomy of Melancholy [PDF]

, 2011
A wall-sized canvas by Twombly hanging in a purpose-built pavilion by Renzo Piano, commissioned by the Menil Collection in Houston, bears the scrawled inscription »Anatomy of Melancholy.« Untitled (Say Goodbye Catullus, to the Shores of Asia Minor) is ...
Goodson, Alfred C.
core  

The image of a “Superfluous Man” in the context of the problems in the novel “Snow” by Orhan Pamuk

Studia Humanitatis, 2016
The article analyses the famous novel “Snow” by Orhan Pamuk from atypical positions: the protagonist, a Turkish dissident and poet Ka, is interpreted as a continuation of the type known in Russian classic literature as a “Superfluous Man”.
Nikolsky Evgeny Vladimirovich
doaj  

Herrad Schenks ,,Am Ende” und Orhan Pamuks ,,Die Geschichte des Prinzen” : Eine komparative Studie im Lichte von Otto Friedrich Bollnows Raumtheorie [PDF]

, 2011
The life of humans goes on through the coincidence of time and space. Every human has a different environment in life. According to Otto Friedrich Bollnow, humans can have prosperous and healthy life if they set up a balance between their lives in and ...
Öncü, Kenan
core  

ORHAN PAMUK ROMANLARINDA “ÖTEKİ”

Avrasya Uluslararası Araştırmalar Dergisi, 2017
Birey, toplum hayatı içinde bir kimlik oluşturabilmek için öncelikle kendisini tanımladığı bir “ben” kavramı geliştirir. Sonra kendini “diğerleri”nden ayıran noktalar üzerinde durur ve kendisini diğerlerinden ayırırken onların kendisinden farklı yönlerinin de açığa çıkmasına sebep olur.
AKPINAR, Soner, BÜŞRA, Büşra
openaire   +3 more sources

Frontiere urbane e volti velati. Istanbul di Orhan Pamuk e Maximum City di Suketu Mehta

Between, 2011
Objectives and scope Analysing postmodern city, in the third millennium, means to study the main important space of contemporary imagination and creation, focusing on literary works characterized by a continuous oscillation on the border between novel ...
Elvira Godono
doaj   +1 more source

Emelio Betances, Professor of Sociology and Latin American Studies

, 2015
In this new Next Page column, Emelio Betances, Professor of Sociology and Latin American Studies, talks about how growing up during turbulent political times in the Dominican Republic sparked his passion for reading and why he\u27s such a fan of authors ...
Betances, Emelio, Musselman Library,
core  

Change of Identity in Orhan Pamuk’s The White Castle [PDF]

, 2016
Ferit Orhan Pamuk who has received international acclaim for his writings is the Turkish first Nobel Laureate. He has penned eight novels, a screenplay, and several works of non-fiction.
Shuaib Mohammad Bhat
core   +2 more sources

The Narrative Enchantment of the Novel “The Museum of Innocence”: Melancholia, Sorrow and Pamuk's Creative Perspectives

بازیافت
This paper presents an analytical study of melancholia, collective hüzün, and psychological and philosophical narratives in Orhan Pamuk’s renowned novel “The Museum of Innocence”.
Muhammad Asif Raza, Ghulam Asghar
doaj   +1 more source

Review of 'The Museum of Innocence' by Orhan Pamuk. [PDF]

, 2010
Review of Orhan Pamuk's novel 'The Museum of ...
Hincapie, Luz Mercedes
core   +1 more source