Results 91 to 100 of about 14,804 (296)
Story-oriented Image Selection and Placement
CoRR, 2019 Multimodal contents have become commonplace on the Internet today, manifested as news articles, social media posts, and personal or business blog posts. Among the various kinds of media (images, videos, graphics, icons, audio) used in such multimodal stories, images are the most popular.
Nag Chowdhury, S. +2 more
openaire +3 more sources
Reconstructing Old Chinese *‐ts Using Han‐Time Material
Transactions of the Philological Society, EarlyView.Abstract Baxter & Sagart (2014b) reconstruct *‐Vt‐s on the basis of Middle Chinese reflexes in ‐jH (from some OC *‐s) coupled with either etymological or graphic connections to words in Middle Chinese ‐t. This approach, while perfectly sound, can suffer from lack of etymological or graphic data, leading to missed reconstructions. Since Old Chinese *‐ts
Julien Baley
wiley +1 more source
Guest editorial: Deep learning‐based intelligent communication systems: Using big data analytics
IET Communications, 2022 Rohit Sharma +3 more
doaj +1 more source
, 2010 Germain-De Franceschi Anne-Sophie. Images de Terre sainte de Reuwich à Carpaccio : évolution et lectures d’un stéréotype iconographique oriental entre 1486 et 1517. In: Seizième Siècle, N°6, 2010. pp.
Germain-De Franceschi, Anne-Sophie
core +1 more source
The Gender of Fossil Fuels: Oil and Domestic Perils in Mandate Palestine
Gender &History, EarlyView.ABSTRACT This article explores the gender dynamics behind the rise of kerosene – an oil derivative – as the main domestic fuel in Mandate Palestine. It argues that these dynamics were constitutive in determining who began to use oil, where and for what purposes, in turn demonstrating that women in Palestine were the promoters and targets of a campaign ...
Shira Pinhas
wiley +1 more source
UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May
CINEJ Cinema Journal, 2011 Fantastic images of the exotic pervade many early German films which resort to constructions of “Oriental” scenes. Stereotypical representations of China, India, Babylon, and Egypt dominate the Kino-screens of Weimar Germany.
Frank F. Scherer
doaj +1 more source
Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present
Gender &History, EarlyView.ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
wiley +1 more source
Gender &History, EarlyView.ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley +1 more source
Painterly rendering techniques: A state-of-the-art review of current approaches
, 2013 In this publication we will look at the different methods presented over the past few decades which attempt to recreate digital paintings. While previous surveys concentrate on the broader subject of non-photorealistic rendering, the focus of this paper ...
Feng Tian +5 more
core +1 more source
‘The Bethune College Sensation’: Gender, Archive and Radical Passivity
Gender &History, EarlyView.ABSTRACT This article explores the student protests at Bethune College, Calcutta, on 3 February 1928, against the Simon Commission, a British parliamentary delegation that excluded Indian representation. On this day, female students staged a quiet but radical act of defiance by refusing to attend classes, sign apologies or vacate their hostel, despite ...
Meghmala Bhattacharya
wiley +1 more source