Results 101 to 110 of about 1,119 (142)
Some of the next articles are maybe not open access.

Beyond Hollywood: Enhancing Heritage with the ‘Orphan’ Film

International Journal of Heritage Studies, 2008
Global discussions relating to heritage preservation, with their traditional focus upon architecture, archaeological sites, and landscape, often overlook and, at times, even devalue the role of the moving image. The last century witnessed the emergence and development of moving image preservation practice, which largely remains a separate vocation with
openaire   +1 more source

Orphan Films

2013
Although of unknown vernacular origin, the term “orphan film” emerged in the 1990s within discussions among archivists, referring to motion pictures abandoned by their legal owners. A decade later, the term entered scholarly cinema studies, where the concept expanded to refer to films that had suffered neglect.
openaire   +1 more source

The legacy of the Jesuits: the practice and social influence of magic lantern projectors and films of the T’ou-Se-We Orphan Arts and Crafts Institute in Shanghai

Early Popular Visual Culture, 2020
Taking the publications of T’ou-Se-We Press as its main historical materials and adopting the method of media archeology, this paper investigates the manufacture and films of the projector at T’ou-...
openaire   +1 more source

Conference Report: Orphans Take Manhattan: The 6th Biannual Orphan Film Symposium, March 26–29, 2008, New York City

Cinema Journal, 2009
a motion picture abandoned by its owner or caretaker. More generally, the term refers to all manner of films outside of the commercial mainstream: public domain mate rials, home movies, outtakes, unreleased films, industrial and educational movies, independent documentaries, ethnographic films, newsreels, censored material, un derground works ...
openaire   +1 more source

ILUSTRASI PSIKOPAT PADA FILM THE ORPHAN KARYA JAUMME COLLET-SERRA 2009

2022
                                                      ABSTRACT     This research is entitled “Ilustrasi Psikopat dalam Film The Orphan oleh Jaume Collet-Serra”. It is written to fulfill the requirement of accomplishing bachelor degree in English Department Faculty of Humanities Sam Ratulangi University.
Taroreh, Naftharia Meilani Sarah   +2 more
openaire   +1 more source

BOY-ORPHANS, MESMERIC VILLAINS, AND FILM STARS: INSCRIBINGOLIVER TWISTINTOTREASURE ISLAND

Victorian Literature and Culture, 2010
Oliver Twist,the early novelwhich a twenty-five-year-old Charles Dickens published serially from 1837 to 1839, revised in the 1840s, and featured in the public readings he offered from 1867 until his death in 1870, might well have inspired the thirty-two-year-old Robert Louis Stevenson before he serialized his own first novel,Treasure Island, in 1882 ...
openaire   +1 more source

A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film

The purpose of this thesis is to explore the importance of the orphan hero in film and his resonance with the American people. It explores the orphan and the American identities, the archetypes found in myths, and the hero in American culture. The three heroes (Batman, Anakin Skywalker, and Harry Potter) represent certain aspects of orphan heroes: the ...
openaire   +1 more source

Home - About - Disclaimer - Privacy