Results 81 to 90 of about 38,625 (211)
Lustmord or Liebestod? Death in Ernst Krenek and Oskar Kokoschka's Orpheus und Eurydike
In 1923, Ernst Krenek composed an operatic setting of Orpheus und Eurydike, a drama by painter and occasional playwright Oskar Kokoschka. Because musicologists and opera houses alike have overlooked this work, credit afforded to Krenek for his role in ...
Leo Harrington
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Terracotta Group of Orpheus and the Sirens is Finally Going Home
The near life-size sculptural group of Orpheus and the Sirens in the J. Paul Getty Museum is being returned to Italy.
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Mini Harpsichord Festival: Program III [PDF]
This is the concert program of the Mini Harpsichord Festival performance on Thursday, June 29, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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“some kind of thing it aint us but yet its in us”: David Mitchell, Russell Hoban, and metafiction after the millennium [PDF]
This article appraises the debt that David Mitchell’s Cloud Atlas owes to the novels of Russell Hoban, including, but not limited to, Riddley Walker. After clearly mapping a history of Hoban’s philosophical perspectives and Mitchell’s inter-textual genre-
Adorno T. W. +37 more
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The protectorate playhouse: William Davenant's cockpit in the 1650s [PDF]
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Watkins, Stephen
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The Shade of Orpheus : Ambiguity and the Poetics of Vmbra in Metamorphoses 10
This paper reexamines the grove of Orpheus in Ovid, Metamorphoses 10, arguing that it is a space of complex ambiguity as activated and determined by the dual meaning of umbra.
Celia Campbell
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The Messianic Zeal: A Case of Radical Aesthetics in Black Cultural Production [PDF]
This essay examines artwork by popular artists D’Angelo, Kanye West, Kendrick Lamar and 2pac Shakur and compares their articulations to a larger discourse of messianic symbolism in (black) American popular culture. In this paper, messianic symbolism is a
Williams, Daniel L.
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In 1975, in the pages of his memoir, Tennessee Williams acknowledged the strong influence that the existentialism in Jean Paul Sartre’s theater had on his activity as a playwright. Starting from this, the essay aims to analyze the many analogies between
Lorenzo Piciarelli
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Orfeo apollineo (tra lirica arcaica e critica letteraria d'età classica)
Bacchyl. 29 M. is considered in the light of the myth of Orpheus as represented in archaic Lyric tradition (from Eumelus to Pindar) and a general proposal of reconstruction and interpretation is put forward. The second part of the contribution focuses on
Marco Ercoles
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An Evening of Negro Spirituals and Songs by African-American Composers, February 15, 2007 [PDF]
This is the concert program of the Evening of Negro Spirituals and Songs by African-American Composers performance on Thursday, February 15, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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