Results 51 to 60 of about 1,684 (181)
Perspective as an artistic tool of composition in the engravings by Giovanni Battista Piranesi
This study is devoted to the recreation of Giovanni Battista Piranesi’s compositional thinking. The study is based on analyses of the composition of his engravings depicting architecture and space.
Elena Chernaya
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Analysis of identifying the digital images of the earth’s surface
The quality of identifying the digital images of the Earth’s surface using covariation functions and Wavelet (small wave) theory was investigated. The autocovariation function values of two digital images or single images are calculated using random ...
Jonas Skeivalas +2 more
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Development of a 1.0 KVA Fuelless Generator
A 1.0 KVA fuelless generator has been developed. The crave for sustainable energy solution has led to the exploration of emerging technologies targeted at reducing reliance on fossil fuels and reducing environmental impact.
Blessing Ngozi Goodluck Aliemeke +4 more
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In praise of orthographic projections: Cinematic plans, history and application
Hamid Khalili, AnnMarie Brennan
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In the article, the formulas for orthographic parallel projection of 3D bodies on computer screen are derived using secondary school vector algebra. The spreadsheet implementation is demonstrated in six applications that project bodies with increasing ...
Jan Benacka
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Fast hierarchical processing of orthographic and semantic parafoveal information during natural reading. [PDF]
Wang L, Frisson S, Pan Y, Jensen O.
europepmc +3 more sources
Parameter Estimation under Perspective and Orthographic Projections Using Laser Range Finder
Satoru Takahashi, Bijoy K. Ghosh
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Increasing the Usability and Accessibility of Voyager 2 Images of Triton
Much of what we know about Neptune’s moon Triton was inferred from the analysis of images returned by the Voyager 2 mission, the only spacecraft to have visited that putative ocean world. Unfortunately, the highest-resolution images (scales < 2 km pixel ^
Michael T. Bland +2 more
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From a Geometry of Vision to a Geometry of Light in Early-Modern Perspective
Must the architect or artist understand how the world is perceived on the convex surface of the eye to simulate the three-dimensional world on a two-dimensional plane?
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