Results 81 to 90 of about 1,390,529 (212)
The Music In The Ottoman Dynasty
, 1995 Tez (Yüksek Lisans) -- İstanbul Teknik Üniversitesi, Sosyal Bilimler Enstitüsü, 1995Thesis (M.A.) -- İstanbul Technical University, Institute of Social Sciences, 1995Osmanlı Hânedânı'nda Müzik" isimli tezimizde Osmanlı Hânedânı'nm müziğe ...
Uluocak, Derya Özlem
core
The Story of Ali̇ Ufki̇-Bobowski. Notation of Turkish Music
Studia SemiotyczneThe first Ottoman musician to use Western notation to write down melodies was Ali Ufkî (ca. 1610–1675), born as Wojciech Bobowski (named also Albertus Bobovius or Ali Beg), later convert and lived at the Ottoman palace as a slave at the beginning of ...
Füsün Deniz Özden
doaj
The Ethnography of Enchanted Listening: How Sonic Beings Become Social Facts [PDF]
Musicologica AustriacaEnchanted listening is what happens when listeners perceive in external sounds qualities that can’t normally be heard. They might, for instance, describe “shapes,” “colors,” “resolutions,” or “attractions.” Animistic descriptions are also frequent, with ...
Victor A. Stoichiţă
doaj
Science and/as work: An introduction to this special issue. [PDF]
Hist Sci, 2023 Roberts L, Rockman S, Hui A.
europepmc +1 more source
The Emergence of Ottoman Music and Local Modernity
Istanbul Research Institute, 2019 By the turn of the eighteenth century this Ottoman musical ‘renaissance’ involved also musical theory and notation (with Osman Dede and Cantemir). A fuller development of the new conceptions of usul and melody emerged in the generation after Cantemir (with Zaharya, Haham Musi, et al.).
openaire +2 more sources
Europe and Turkey: identities in evolution. An analytical literature review. [PDF]
Open Res Eur, 2023 Gulmez SB, Topal AE, Rumelili B.
europepmc +1 more source
Exploring social music behaviour: An investigation of music selection at parties [PDF]
, 2009 This paper builds an understanding how music is currently listened to by small (fewer than 10 individuals) to medium-sized (10 to 40 individuals) gatherings of people— how songs are chosen for playing, how the music fits in with other activities of group
Nichols, David M. +3 more
core +2 more sources
Writing the History of "Ottoman Music"
, 2015 Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the ...
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What are patterns of rise and decline? [PDF]
R Soc Open Sci, 2023 Raulo A +8 more
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Ottoman heritage in Serbia on a cultural route: students’ attitudes
Kulturní StudiaCultural heritage is an important part of the cultural identity of any nation. The care of cultural heritage includes the protection and preservation of the material heritage of the majority nation and the heritage of all other ethnic communities that ...
Aleksandra Terzić +2 more
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