Concept of Sorrow in the Classic Ottoman Poetry
Lyric poetry, dominated by the emotion of sorrow, is the essence of the Classical Ottoman poetry. Out of all emotion-indicating words the sorrow is the one that appears the most, and the concept of sorrow is inevitable topic for the analyses of the Classic Ottoman poetry where it is always expressed through extended (poetical) metaphors.
Alena Ćatović, Sabina Bakšić
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Forbidding the reading of the Kashshāf: clarifying the Mamluk era reception of Zamakhsharī's Qur'ān commentary. [PDF]
Ally S.
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Sadeq Hedayat's vegetarianism: a few notes on the representation of vegetarianism, animals and animal rights in Sadeq Hedayat's Favā'id-i giyāhkhārī (The benefits of vegetarianism) and Insān-u ḥayvān (Human and animal). [PDF]
van den Berg G.
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The extended unconscious group field and metabolization of pandemic experience: dreaming together to keep cohesion alive. [PDF]
Marogna C +4 more
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The Pluriverse of Intoxication: Words, Lives, Worlds in Islamicate History. [PDF]
Ghiabi M.
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The layers of Arabic and Persian epigraphy in the Green Complex (821–827/1419–1424) in the Western Anatolian town of Bursa, built for Meḥmed I (r. 816–824/1413–1421), are indicative of the literary horizon at this time.
Veronika Poier
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Emerging subdisciplines in ethnology and anthropology of Serbia: research trends at the Faculty of Philosophy, University of Belgrade. [PDF]
Vučinić Nešković V.
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Translations of Slavic Poetry in “Russkii Vestnik”
This study examines the publication of Slavic poetry translations in “Russkii Vestnik” (The Russian Herald) within the framework of cultural, sociopolitical, and editorial developments during the second half of the nineteenth and early twentieth ...
A. A. Timakova
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Deciphering everyday meaning-making with Gramsci. [PDF]
Lems A.
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The Ottoman scholars paid great attention to the Arabic language, particularly to the science of rhetoric, and authored numerous treatises on its various topics. Among these scholars was al-ʿAllāma al-Naqīb.
Abdulsattar Elhajhamed
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