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Shakespeare and the Continental Avant-Garde throughGarcía Lorca’s El público (1930)

2013
El publico (The Public) emerged in the context of Federico Garcia Lorca’s productive trip to America (1929–30). Probably conceived in New York, then written primarily in Cuba, and completed in Spain in the summer of 1930, this experimental play, crafted by Lorca through the theatrical languages of the avant-garde, constructs an elusive exploration of ...
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