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Aesthetical Issues of Leonardo Da Vinci’s and Pablo Picasso’s Paintings with Stochastic Evaluation
A physical process is characterized as complex when it is difficult to analyze or explain in a simple way. The complexity within an art painting is expected to be high, possibly comparable to that of nature.
G-Fivos Sargentis +2 more
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Silence, Abuse, and Madness: Picasso in Jeanette Winterson's Art & Lies
In Art & Lies (1994), Jeanette Winterson presents three characters who are alter egos of Handel, Picasso, and Sappho. This article focusses on Picasso as an alter ego not only of Pablo Picasso but also of the character itself, whose birth name is Sophia,
Claudia Martori
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Digital transformation and the emergence of the Fintech sector: Systematic literature review
This paper provides an analysis on the emergence of new technologies in the financial industry and their application to financial and investment activities, where organizations are highly equipped with the technology needed to overshadow traditional ...
Marta Barroso, Juan Laborda
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primeras películas de los Lumière y el cubismo de Pablo Picasso
En la investigación que se presenta a continuación, se analizan diversas conexiones halladas entre las primeras películas de los Hermanos Lumière y el movimiento cubista, tomando en este caso como objeto de estudio, específicamente el cubismo de Pablo ...
Laura Franco Carrión
semanticscholar +1 more source
Reducing fear of water and aquaphobia through 360 degree video use?
Drowning is a serious public health problem threat claiming the lives of 372,000 people each year worldwide that can be linked to an individual’s ability to swim. Learning to swim requires limited fear of water.
Lionel Roche +4 more
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Exploring the Universal Language of International Artist: Leonardo Da Vinci and Pablo Picasso
This abstract offers a succinct synopsis of the essay that examines the shared aesthetics of two internationally recognized artists, Pablo Picasso and Leonardo da Vinci.
Zoyanaaz Farook Balouch, Anju Tulshyan
semanticscholar +1 more source
Fernande Olivier y el avance de Pablo Picasso al cubismo
Marina Picasso escribió con respecto a la relación de su abuelo con sus compañeras que «las embrujaba, las digiría, y las plasmaba en sus lienzos» (Picasso, 2001, p. 180).
Enrique Mallén
semanticscholar +1 more source
André Salmon face à Picasso, « Le premier artiste de son âge »
André Salmon and Pablo Picasso enjoyed a close relationship from 1905 onwards and Salmon’s poetry and prose offer exceptionally clear-sighted responses to Picasso’s work.
Peter Read
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La imagen de la ninfa estudiada por Aby Warburg, portadora de supervivencias y cargas emotivas, permite establecer nuevos repertorios y posibles concomitancias entre las representaciones que Pablo Picasso hace de la mujer y las caracterizaciones de la ...
P. Antacli
semanticscholar +1 more source
Scientific Study of the Origin of the Painting from the Early 20th Century Leads to Pablo Picasso
This study applied multiple scientific approaches to establish the significance of an old work of art, Red Guitar, by examining its historical origin and the color materials used in its creation.
M. Bakovic +3 more
semanticscholar +1 more source

