Results 51 to 60 of about 774,896 (191)
Pabellón Pablo Picasso - Champagne s/Seine – Francia
Informes de la Construccion, 1976 Este pabellón, destinado a centro cultural, deportivo y de expansión, tiene la forma de un tronco de pirámide rectangular de 5,80 m de altura. Consta de: planta baja con hall, una gran sala que ocupa toda la altura del edificio, un local deportivo, y los
P. Bayonne
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The Pedagogy of the Pentateuch: The Undergraduate Classroom at a Large State University
Teaching Theology &Religion, Volume 28, Issue 2, Page 62-65, July 2025.ABSTRACT In response to the three questions suggested for this symposium on the pedagogy of the Pentateuch, I focus here less on what we teach and instead emphasize the values within our discipline. Students need to learn how to read the Bible as part of the humanities: as the work of thinkers who were reflecting on their place in the world and ...
Bernard M. Levinson
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Las vanguardias artísticas y su deseo: oscilación estética de la contradicción
Kipus: Revista Andina de Letras y Estudios Culturales, 2019 La comprensión de las relaciones y las representaciones sociales se da en el reconocimiento de sus articulaciones y contradicciones, tanto internas como con su entorno. Un análisis de las vanguardias artísticas del siglo XX, debe considerar la coyuntura
Sebastian Terán Ávalos
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PTSI: A Person × Task × Situation Interaction Theory of Creativity
The Journal of Creative Behavior, Volume 59, Issue 2, June 2025.ABSTRACT This article presents the PTSI (Person × Task × Situation Interaction) theory of creativity. The theory deals with the creative person, the deployment of creativity in tasks, the ecological context in which this deployment takes place, and the types of creative products that result. The theory draws upon a wide range of previous work.
Robert J. Sternberg
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Medicina, 1984 <p>Muchos de nuestros amables lectores nos han preguntado acerca de la portada del número anterior, en la cual presentamos un cuadro poco conocido de Pablo Ruiz Picasso. Su estilo clásico sorprendió a quienes están acostumbrados a reconocer el arte
Alvaro López Pardo
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Lírica Cruel, (A propósito de La Planchadora de Picasso)
Fedro, 2020 Empezaré con la historia de un desencuentro: el que hubo entre Pablo Ruiz Picasso y Marcel Duchamp. Nunca hubo entre ellos afinidad ni simpatía. Pero no voy a profundizar en él, porque lo cito sólo para que sirva de trasfondo al juicio que de Picasso ...
Juan Bosco Díaz-Urmeneta
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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Testimonio del pintor español Pablo Picasso
, 2013 El Servicio Iberoamericano de la Radiodifusión Francesa graba en Vallauris, Francia, para América Latina y cede a Radio Universidad Nacional de La Plata, breves palabras del pintor español Pablo Picasso al cumplir éste 80 años. Pablo Picasso: pintor,
Picasso, Pablo
core
Arte, Individuo y Sociedad, 2014 When the Mona Lisa was stolen in 1911 by the Italian handyman Vincenzo Peruggia, both Pablo Picasso and Guillaume Apollinaire were brought in by the Paris police for questioning.
Noah Charney
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Journal of Applied Philosophy, Volume 42, Issue 2, Page 668-682, May 2025.ABSTRACT Workism is the phenomenon of people making their work the primary source of meaning and identity in their life. Recent critics of workism have argued that there is a growing trend towards it in many societies and that this is a bad thing. This article brings a philosophical perspective to the debate on workism. It develops a precise account of
Matthew Hammerton
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