Aesthetic Developments in Iranian Painting of the 80s [PDF]
More than 80 years after the beginning of the modernist movement in Iran’s painting which according to Mojabi begins in 1936. Iranian painting witnessed significant developments due to social, political, and economic conditions.
Adham Zargham, Amin Moazami
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Aspects of two habitat-specific foraging behaviours of the social subterranean rodent Cryptomys damarensis, are discussed in terms of burrow structure, resource dispersion patterns, sand moisture content, burrow temperature regimes, and predatory ...
B.G. Lovegrove, Suzanne Painting
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Arabic letters as a formative element in contemporary murals in the Arab world and their role in preserving heritage and identity [PDF]
Arabic calligraphy has always been one of the most important elements of plastic art creativity in the various types of visual arts. The Arabic letters are in themselves a plastic creation, and it has its philosophy, organic rhythms and meanings, and is ...
Amira Sarwat mohamed mostafa
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USING THE PRINCIPLES OF TACTICAL URBANISM IN THE RENOVATION OF THE ESPLANADE IN THE CITY OF PERM
The article presents some economic and analytical prerequisites and substantiation of the planning concept for the Explanada territory of Perm. Specific design solutions for the renovation of the city esplanade are considered and substantiated in more ...
Shchipalkin Victor P.+3 more
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Creation in painting techniques using the elements of nature Fumage painting ( painting by soot or smoke ) [PDF]
When nature produces elements and materials, we must stop to contemplate what they produce from the elements and materials, think, and try to reformulate or subjugate them and make them engage in the arts, including plastic art, in order to produce an ...
Ahmed Abd El Hameed El Shafei
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THE CHEMISTRY OF PAINTS AND PAINT VEHICLES. [PDF]
n ...
openaire +3 more sources
Charles Willson Peale’s The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America [PDF]
In this paper, I explore Peale’s monumental painting, a work that is many things, a self-portrait and history painting among others. Indeed, in this painting, Peale was responding to science, religion, and their shifting positions within early-nineteenth-
Zygmont, Bryan J.
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The Iconology of the Raven Symbol in Andrea Kowch's Artwork"Soiree" Based on the Theory of Erwin Panofsky [PDF]
Andrea Kowch, a contemporary American artist, has gained recognition for her unique style that blends symbolism and a kind of magical realism. Her art often takes on a narrative quality, delving into the realms of memory, personal concepts, and inner ...
Elham Hosseinzadeh, Afsaneh Nazeri
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Emotion and color in paintings: a novel temporal and spatial quantitative perspective [PDF]
As subjective artistic creations, artistic paintings carry emotion of their creators. Emotions expressed in paintings and emotion aroused in spectators by paintings are two kinds of emotions that scholars have paid attention to. Traditional studies on emotions expressed by paintings are mainly conducted from qualitative perspectives, with neither ...
arxiv
Reflections of Feminism in Contemporary Mural Painting between Occidental and Oriental societies
Feminism as a global movement was and is still working on achieving women rights & liberation in different ways and by using different tools. Art in general and mural painting as a public art in specific, are very eloquent tools to help present feminist ...
Zeinab Nour
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