Results 1 to 10 of about 306,594 (303)
The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting [PDF]
The painting Saint Jerome, part of the collection of the Maagdenhuis Museum (Antwerp, Belgium), is attributed to the young Anthony van Dyck (1613–1621) with reservations.
Astrid Harth +4 more
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In this study, we have analyzed the chemical components and crystal structures of minerals found in the Jinpari Tomb No. 4 mural paintings, which has allowed us to identify component materials comprising each layer.
Hwa Soo Lee, Kyeong Soon Han
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Non-Photorealistic Rendering Techniques for Artistic Robotic Painting
In this paper, we present non-photorealistic rendering techniques that are applied together with a painting robot to realize artworks with original styles.
Lorenzo Scalera +3 more
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This study presents the analytical characterisation of Liu Kang’s paint mixtures and the painting technique used during the important Shanghai artistic phase (1933−1937). Liu Kang (1911–2004) was a Chinese artist who received an academic art education in
Damian Lizun +3 more
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Thang-ga’s Painting Techniques and Their Spiritual Significance [PDF]
The primary way of passing down Thang-ga is to carry forward the painting techniques. This paper explores the spiritual significance of Thang-ga’s painting techniques based on the aesthetic culture and philosophical ideas that underlie the techniques: as
Gao Siqi
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Creation in painting techniques using the elements of nature Fumage painting ( painting by soot or smoke ) [PDF]
When nature produces elements and materials, we must stop to contemplate what they produce from the elements and materials, think, and try to reformulate or subjugate them and make them engage in the arts, including plastic art, in order to produce an ...
Ahmed Abd El Hameed El Shafei
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The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre,
Damian Lizun +4 more
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This article summarises the extensive research conducted in recent years on the paintings by Liu Kang (1911–2004), a renowned modern Singaporean artist.
Damian Lizun, Jarosław Rogóż
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Technical examination of Liu Kang’s Paris and Shanghai painting supports (1929–1937)
This article presents an overview of Liu Kang’s (1911–2004) canvas painting supports from his early artistic phases, Paris (1929–1932) and Shanghai (1932–1937).
Damian Lizun +2 more
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Several medieval mural cycles in Austria were studied from the material and technical point of view, aiming to confirm (or reject) the art-historical hypothesis of their stylistic and workshop connection.
Anabelle Kriznar
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