Reflections Around the Conservation of Sacred Thangkas
Journal of Conservation and Museum Studies, 2013 Tibetan thangkas (Buddhist scroll paintings) are created as religious ritual objects. The fact that they are mainly considered as artworks in the Western world impacts on the decisions made for their display and conservation.
Sabine Cotte
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Frontiers in Psychology, 2021 Familiarity and novelty are fundamental yet competing factors influencing aesthetic preference. However, whether people prefer familiar paintings or novel paintings has not been clear.
Jiwon Song, Yuna Kwak, Chai-Youn Kim
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Assisting classical paintings restoration : efficient paint loss detection and descriptor-based inpainting using shared pretraining [PDF]
, 2021 In the restoration process of classical paintings, one of the tasks is to map paint loss for documentation and analysing purposes. Because this is such a sizable and tedious job automatic techniques are highly on demand.
Devolder, Bart +7 more
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Structure of aesthetic experience [PDF]
Psihologija, 2006 This study investigated the strructure of aesthetic experience and the relationship of this structure and other dimensions of the subjective judgements of paintings.
Polovina Marko, Marković Slobodan
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Application of OCT to examination of easel paintings [PDF]
, 2004 We present results of applying low coherence interferometry to gallery paintings. Infrared low coherence interferometry is capable of non-destructive examination of paintings in 3D, which shows not only the structure of the varnish layer but also the ...
Cucu, R. +9 more
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Edward Ardizzone’s Multimedial Play with Format in his War Diaries
Interfaces, 2021 The object of my article is Edward Ardizzone’s manuscripts of his four illustrated war diaries (1943-1945) preserved in his archives at the IWM in London, the published edition of his diaries entitled Diary of a War Artist (1974), the larger ink ...
Julie LeBlanc
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عَلَامَات نِهَايَةِ اَلْعَالَمِ بتَصَاوِيرِ اَلْمَخْطُوطَاتِ اَلدِّينِيَّةِ اَلْعُثْمَانِيَّةِ "اَلْمَسِيحُ اَلدَّجَّالُ أُنْمُوذَجًا" Signs of the End of the World in Illustrated Ottoman Religious Manuscripts, “Al-Masīḥ ad-Dajjāl as a Model” [PDF]
Journal of General Union of Arab Archaeologists, 2023 {AR} تُعد قصة المسيح الدجَّال واحدةً من ضمن علامات نهاية العالم الكبرى، وقد صُوِّرُ بشكل أساس ومشترك بالمخطوطات الدينية العثمانية وخصوصا التي لها صلة بعلامات نهاية العالم خلال القرن (10-12ه/16-18م)، وسوف تتناول الدراسة تصاوير المسيح الدجَّال بالمخطوطات ...
Hala Mohamed El-mohamady
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The Pigments of the Painter Fleury Richard (1777–1852), a Model for Multidisciplinary Study
Heritage, 2022 Fleury Richard was a colorist painter of the early 19th century. He practiced the oil technique inspired by the Renaissance at a time when advances in chemistry were introducing many new synthetic pigments.
Davy Carole +6 more
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The Circulation of Zurbarán and Murillo’s paintings in the New World
Journal for Art Market Studies, 2019 Francisco de Zurbarán (1598-1664) and Bartolomé Esteban Murillo (1617-1682) spent most of their career in Seville where their paths mostly overlapped in the mid-seventeenth century. Both competed for the growing number of commissions from local religious
Akemi Luisa Herráez Vossbrink
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Mount Merapi in drawings and paintings; A dynamic reflection of nature, 1800-1930
Wacana: Journal of the Humanities of Indonesia, 2022 Mount Merapi in Central Java is one of the world’s most studied volcanoes. The frequent eruptions of this volcano and the densely populated areas on its slopes make Merapi particularly important to scholars of the natural and social sciences ...
Ghamal Satya Mohammad
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