Results 1 to 10 of about 142 (130)
Side by Side: Israeli and Palestinian Cinema
Radical Teacher, 2019 This Teaching Note provides general guidelines as well as a specific sample syllabus for a course on Israeli and Palestinian fiction films.
Linda Dittmar
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Houses Without Foundations: On Belonging in Palestinian Women’s Cinema [PDF]
e-cadernos ces, 2014 This article analyzes several Palestinian women’s films, in which damaged or compromised (occupied, besieged) houses nevertheless serve as the grounds for building a sense of home, claiming belonging, and fostering collectivity. Using the house as both a
Colleen Jankovic
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Sınırlar ve Duvarlar Arasında: Filistin-İsrail Savaşının 200 Metre Filmindeki Temsili
Medya ve Din Araştırmaları Dergisi, 2022 1948’de gerçekleşen İsrail Savaşı’nın ardından Filistin sinemasında yeni bir dönüşüm yaşanmış, farklı film türleri üretilmeye başlanmıştır. İsrail işgali sonrası Filistinlilerin mücadelesini ve direnişini esas alan Filistinli yönetmenler, belgesel ...
Eyup Koçaslan, Yunus Namaz
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Silence as Elective Mutism in Minor Cinema
Film-Philosophy, 2021 This article advances mutism as a creative mode and conceptual tool to treat silence in cinema. Whereas mutism can be a productive concept for the study of auditory and visual absence in a broader theoretical framework, my focus here is on the silence of
Tanya Shilina-Conte
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Geopolitical dimensions of the cinematic image in the films of the Palestinian cause
الاكاديمي, 2021 For more than seven decades, the Palestinian-Israeli conflict has not ended, and every one claims his right to the land, waters, airspace and wealth of Palestine.
Ibrahim Naama Mahmoud +1 more
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Mise au Point, 2021 In his film August, a moment before the eruption, Israeli filmmaker Avi Mograbi is talking to his spectator and confides his project: shooting every day during august the daily life of his Israeli compatriots. But this apparently innocent project becomes
Macha Ovtchinnikova
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Time in the Cinema...The Two Films (The Knife and The Deceived) -A Model
الاكاديمي, 2019 This study deals with the time property in the cinema through two films: (The Knife) directed by Khalid Hamada and (The Deceived) directed by Tawfiq Saleh.
Karima Nawi
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De quel postcolonial parle-t-on ? Intervention divine d’Elia Suleiman
e-cadernos ces, 2014 This essay analyzes Divine Intervention by the Palestinian director Elia Suleiman in order to examine the implications of his chosen aesthetics, the cinema of allusion.
Fabrice Schurmans
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Corpos que acontecem na fronteira
e-cadernos ces, 2014 Palestine is a symbol of exile. In a way, all Palestinians live in a state of literal or metaphorical exile. For this reason, it is impossible to analyze Palestinian women’s cinema without locating these women in their (non)place: exile.
Shahd Wadi
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Imagining the Nation on the Screen: The Poetics of Palestinian Cinema’s Fourth Period
ImagesThis article explores Palestinian cinema’s fourth period of activity that began around 1980. During this time, the world did not acknowledge the existence of the Palestinian people and their territory.
Yael Ben-Zvi Morad
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