Results 91 to 100 of about 142 (130)
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“Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema
2020This chapter analyzes post-Oslo Palestinian cinema as an economic and industrial project based in Palestine. It considers Palestinian cinema through its infrastructures and as a specific mode of social formation unfolding at the intersection of settler colonialism and a series of broader global economic processes.
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, 2018 2018
This chapter incorporates the “Manifesto of the Palestinian Cinema Group” (1972) and the Popular Front for the Liberation of Palestine’s “The Cinema and the Revolution.” These were written by members of film units attached to the political groups ascending in resistance to the occupation of Palestine.
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This chapter incorporates the “Manifesto of the Palestinian Cinema Group” (1972) and the Popular Front for the Liberation of Palestine’s “The Cinema and the Revolution.” These were written by members of film units attached to the political groups ascending in resistance to the occupation of Palestine.
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Portrayal of Palestinians in Egyptian Cinema
This thesis investigates the evolving portrayal of Palestinians in Egyptian cinema from the beginning of the Nakba, prior to the 1952 revolution, to the end of Hosni Mubarak's rule – a period marked by shifting political alliances and ideological transformations in Egypt.openaire +1 more source
Space and Gender in the New Israeli and Palestinian Cinema
Prooftexts, 2002This article examines two Israeli films Avraham Haffner's The Last Love of Laura Adler (1990) and Eli Cohen's The Summer of Aviya (1988) that assert the perspective of the excluded Other and articulate a sense of space that acknowledges the presence of ambiguity and heterogeneity. Their approach is compared to that of a Palestinian film of the same era,
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Rebels, Revolutionaries, Returnees: Palestinian Women’s Cinema as World Cinema
Studies in World CinemaAbstract Grounded in Patricia White’s theorization of women’s cinema as world cinema, this article discusses select feature, documentary, and short films of two contemporary Palestinian women filmmakers, Najwa Najjar and Annemarie Jacir. Identifying the transformative and emancipatory processes within Palestinian society and the new Palestinian ...
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Waiting for Godard at the Front: The Palestinian Cinema Institution [1975]
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Zionist and Palestinian Honor and Universal Dignity in Israeli Cinema
Comparative Sociology, 2016This article offers a film analysis of Israeli films which, it claims, embrace or critique Israel’s Zionist and Palestinian perceptions of honor, as compared with universal human dignity. The article groups together and examines six acclaimed Israeli feature films that, it argues, present and comment on Zionist and Palestinian perceptions of honor, as ...
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