Results 1 to 10 of about 66 (59)
“Ravished by Vikings”: The Pre-modern and the Paranormal in Viking Romance Fiction
The trope of forced sex in romance fiction has found itself under scrutiny and pressure since the feminist movement, and even more so now as women's media, especially e-media and social media, grow increasingly concerned with what is called "rape culture"
Kim Wilkins
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Non-existent before the late 1980s, in recent years urban fantasy / paranormal romance has become the prevailing form of the monstrous Gothic in popular culture.
Leigh M. McLennon
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Book genre and author gender: Romance>Paranormal‐Romance to Autobiography>Memoir [PDF]
Although gender differences are known to exist in the publishing industry and in reader preferences, there is little public systematic data about them. This article uses evidence from the book‐based social website Goodreads to provide a large scale analysis of 50 major English book genres based on author genders.
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Literatura Niewidocznego — wizje i rewizje urban fantasy
A discussion Literature of the Unseen—Visions and (Re)visions of Urban Fantasy collects theoretical reflections upon the subgenres of urban fantasy and paranormal romance, along with a brief commentary on the body of text representative for both ...
Stefan Ekman +4 more
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Reviewed book: Oblicza wampiryzmu, ed. Anna Depta, Szymon Cieśliński i Michał Wolski Wrocław: Stowarzyszenie Badaczy Literatury i Kultury Popularnej „Trickster” 2018, ISBN 978-83-64863-12 ...
Barbara Szymczak-Maciejczyk
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Urban fantasy — literatura Niewidocznego
This article analyses the nature of urban fantasy by aggregating the claims, suggestions, and observations made by several different accounts of what urban fantasy is.
Stefan Ekman
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‘Daddy, I'm falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance [PDF]
This paper examines a key trope within much contemporary paranormal romance: the absence, or ineffectiveness, of the father. The first part of the essay develops an analysis of this aspect of the genre (in the Twilight Saga especially) through the work of René Girard, Luce Irigaray, and Juliet MacCannell. Of particular importance here is the extent to
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Achille Ngoye et Jean-Roger Essomba : le renouveau du polar africain francophone
In African literary history, whether in the colonial novel, the family romance, or the novel of solitary revolt, the African novel has generally been considered realistic.
Hervé Tchumkam
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The Use of Free Indirect Discourse in J. R. Ward’s Black Dagger Brotherhood series
Although the romance genre has received a lot of attention in feminist and gender studies, particularly in the 1970s and 1980s, it is still largely ignored by narratologists and other literary theorists.
Evie Kendal
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