Results 1 to 10 of about 20 (20)
An Analysis of the Identity of Idols in Phrygian Culture
Derived from the Greek -eidolon and the Latin -idolum, idols, meaning image or visual, stretching back to the Prehistoric Period, are schematized abstract depictions that have found themselves a place within different cultures during different periods ...
Rahşan Tamsü Polat
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« De mes pleurs vous ne vous rirez plus » : le Cas Antiochus
Antiochus has a bad reputation. He is commonly considered to be a simpleton, whose whining hinders Bérénice from being anything but a mere elegiac and gallant drama.
Laurence Plazenet
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Terracotta Figurines of Goddesses on Thrones from Borysthenes
Figurines of goddesses on the throne were the main coroplastic images of ancient centers of the archaic period. They predominate among figurines from Borysthenes as well.
Tetiana Shevchenko
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An Idol-shaped Stele with an Old Phrygian Inscription in the Territory of Nakoleia
During the archaeological surveys conducted in Seyitgazi and Han Districts of Eskişehir Province in 2019, we have visited Eski Cami Höyük (formerly known as Hüsnüabad) which is located 1 km southeast of Gümüşbel Village, 15 km east of Seyitgazi District ...
Rahşan TAMSÜ POLAT +2 more
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The Sacred Victim; Paredros in Shakespeare’s Macbeth
Shakespeare’s works especially his tragedies can be read as a ritual. The archetypical unconscious overtly present in Shakespearean tragedies offers a rich source of ancient solstice cults and ritual symbols. Shakespeare's emphasis on the contradiction of surrogates, the Great Mother archetype, witches and the Paredros shows that art and ritual forms ...
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Sueños y cáscaras de Lévinas desde “Teleón” y alrededores
Sin tantear recorridos lineales, la mayor parte de los siguientes renglones, entresacados de aquellos parajes por los que merodearían los lectores de Emmanuel Lévinas más propensos a las responsabilidades del sueño lúcido, modifican unas páginas de ...
Bruno Mazzoldi
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Sacerdote, rey y consorte de la Madre diosa
Attis, paredros frigio y sacerdote eunuco de la Madre Diosa, es una figura capital en el desarrollo de las representaciones míticas y cúlticas de Cibeles en la religión y cultura antigua, especialmente en la Roma de época imperial.
Enzo Gallardo
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Clay statuettes of male and female paredros from Roman Dacia [PDF]
This paper synthetises knowledge concerning the spread of the paredros type statuette in Roman Dacia. Thus, we examined their manner of distribution, the workshops, and most importantly their significance. The author notes that these statuettes were discovered solely in Dacia Superior and Porolissensis, especially in the former.
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Theurgy, Paredroi, and Embodied Power in Neoplatonism and Late Antique Celestial Hierarchies
This article will place the rituals of the Greek Magical Papyri (PGM) for the acquisition of a supernatural assistant (paredros) into conversation with broader late antique debates surrounding the place of daimones within the celestial hierarchy.
Katarina Pejovic
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Divine Epiphanies of Paredroi in the Greek Magical Papyri
The several references to a paredros of a god who is summoned in the magical papyri do not equate the god and his representative but hold them distinct, respecting the integrity of a divine hierarchy.
Eleni Pachoumi
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