Results 141 to 150 of about 7,375 (195)

The parrhesia of neo-fascism

open access: yes, 2019
In his late lectures, Foucault developed the ancient Greek concept of parrhesia, a courage to speak the truth in the face of danger. While not entirely uncritical of the notion, Foucault seemed to find something of an ideal in the political and aesthetic ideal of franc-parler, of speaking freely and courageously. Simultaneously, the post-1968 political
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From petrochemistry to biotech: a European perspective on the bio-based economy [PDF]

open access: yesInterface focus : a theme supplement of Journal of the Royal Society interface, 2011
europepmc   +1 more source

Art as encounter [PDF]

open access: yes, 2017
Coumans, Anke
core  

Parrhesia

2018
Freedom of speech is a fundamental right in many societies, yet also highly contested. As a right, it can only be appreciated if its historical development is taken into account. Parrhesia offers case studies in freedom of speech, its understanding and exercise throughout history.
Peter-Ben Smit, Eva van Urk
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Modalities of Parrhesia

2021
This paper reflects some of my PhD research into the ability of subjects to express themselves in a ‘free and frank’ manner to authority figures in an educational context. In doing so I draw particularly on Michel Foucault and his concept of Parrhesia, Leo Tolstoy’s writing connected with social action and education, together with Lauren Berlant’s ...
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Parrhesia

2016
A man who wants the truth becomes a scientist; a man who wants to give free play to his subjectivity may become a writer; but what should a man do who wants something in between?
Benvenuto, Sergio
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Parrhesia‐stases (The Preamble)

Architectural Design, 2016
Operating between the obscene and methods of estrangement and displacement, parrhesia‐stases interrogates the agendas of aesthetics present in repulsiveness, condemnation and punishment. François Roche and Camille LacadÉe here present a body of work by their Bangkok‐based practice New‐Territories/M4, which speculates on the ramifications of ...
François Roche, Camille LacadÉe
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Parrhesia, Humor, and Resistance

2020
This paper begins by taking seriously former slave and abolitionist Frederick Douglass' response in his What to the Slave is the Fourth of July? to systematic violence and oppression. He claims that direct argumentation is not the ideal mode of resistance to oppression: " At a time like this, scorching irony, not convincing argument, is needed." I will
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Art, Trauma and Parrhesia

Art & the Public Sphere, 2011
Abstract
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