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Partimento and Continuo Playing in Theory and in Practice
, 2010 Thomas Christensen +3 more
+4 more sources
Appendix 9 Giovanni Paisiello, Regole per bene accompagnare il Partimento, St. Petersburg, 1782
2022exaly +2 more sources
Appendix 3 Disposizioni à 2 and Disposizioni à 3 on Partimento Gj2319 by Giovanni Paisiello
2022exaly +2 more sources
2010
Fugue was the highest goal in partimento training: all ordered partimento collection invariabily end with a series of fugues. This paper offers a first glimpse into the variegated tipology of fugal practice used in eighteenth century Nepolitan conservatories.
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Fugue was the highest goal in partimento training: all ordered partimento collection invariabily end with a series of fugues. This paper offers a first glimpse into the variegated tipology of fugal practice used in eighteenth century Nepolitan conservatories.
openaire +2 more sources
Partimento and Continuo Playing in Theory and Practice
2010This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass.
SANGUINETTI, GIORGIO +3 more
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Partimento and incomplete notations in eighteenth-century keyboard music
2017Discusses some cases in eighteenth century keyboard music where the notation is incomplete, and how a modern performer might "realize" the clues in the score.
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