Results 141 to 150 of about 5,167 (216)
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Italianist, 2023 Pier Paolo Pasolini’s death has been the subject of numerous works in media from cinema to graphic novels. Most focus on Pasolini’s assassination, its murky political implications, and the events surrounding the last hours of his life.
Alessandro Brunazzo
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Forum Italicum, 2021 This article focuses on the collaboration between Ermanno Olmi and Pier Paolo Pasolini. Two key figures of the Italian cinematic tradition, Olmi and Pasolini have joined efforts on two occasions, as the Bergamasque director asked Pasolini to provide a ...
Silvia Angeli
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Pier Paolo Pasolini and the Sacred
New Theatre Quarterly, 2023Pier Paolo Pasolini (1923–1975) fashioned poetry, prose, cinema, and theatrical works, and how he conceived of the sacred is more thoroughly understood in relation to his working biography.
E. Stochino
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Journal of Italian Cinema and Media Studies, 2022
In this article, Ferrara puts forward the first analysis of Pier Paolo Pasolini’s films The Hawks and the Sparrows (1966) and Pigsty (1969) through the lens of posthumanist theory.
Enrica Maria Ferrara
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In this article, Ferrara puts forward the first analysis of Pier Paolo Pasolini’s films The Hawks and the Sparrows (1966) and Pigsty (1969) through the lens of posthumanist theory.
Enrica Maria Ferrara
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BACH: Journal of the Riemenschneider Bach Institute, 2022
:In the early 1960s, Pier Paolo Pasolini, already one of the leading intellectuals of postwar Italy, embarked on a remarkable career as a film director that included Accattone (1961) and Il Vangelo Secondo Matteo (The Gospel According to St.
Mark Brill
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:In the early 1960s, Pier Paolo Pasolini, already one of the leading intellectuals of postwar Italy, embarked on a remarkable career as a film director that included Accattone (1961) and Il Vangelo Secondo Matteo (The Gospel According to St.
Mark Brill
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Herculean Unproductivity in Pasolini’s La ricotta and Teorema
Culture and Politics, 2022:This article examines the relationship between work, capitalist productivity, and the filmmaking practice of Pier Paolo Pasolini. This article examines how Pasolini’s La ricotta and Teorema represent an interruption of labor and a contestation of the ...
J. C. Velásquez
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Italianist
This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, pre-industrial cultures; and contemporary, radio-ready ...
Karen T. Raizen
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This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, pre-industrial cultures; and contemporary, radio-ready ...
Karen T. Raizen
exaly +2 more sources
Volume 62 · 2021, 2021
Mandel’štam. Rome. Pasolini In 1972 a small volume presented for the first time a varied choice of poems by the Russian poet Osip Mandel’štam to the Italian public, translated by Serena Vitale.
Chiara Caradonna
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Mandel’štam. Rome. Pasolini In 1972 a small volume presented for the first time a varied choice of poems by the Russian poet Osip Mandel’štam to the Italian public, translated by Serena Vitale.
Chiara Caradonna
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