Results 51 to 60 of about 13,091 (205)
El Decameron de Pasolini como declaración de poética [PDF]
, 2011 La lectura del Decameron que Pasolini plasma en su película se puede considerar como un verdadero autorretrato del escritor-director. A través de determinadas estrategias, Pasolini rinde homenaje al texto del fundador de la narrativa italiana, Giovanni ...
Calvo Montoro, María Josefa
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Il reale del cinema. Pasolini e gli ordini di osservazione: una prospettiva sociologica
Zibaldone: Estudios Italianos, 2022 Il rapporto di Pasolini con il cinema non è finalizzato soltanto ad una sperimentazione estetica o linguistica, ma può essere considerato il compimento del suo principale obiettivo di ricerca: come rappresentare il reale senza appropriarsene o ...
Vittorio Iervese
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Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta' [PDF]
, 2016 Among the links between Pier Paolo Pasolini and Brazilian Cinema Novo, one of the most inspiring is the political approach to hunger and consumption. In this text, I analyse this topic to look at how some of the aesthetic ideas in Pasolini’s La ricotta ...
Elduque, Albert
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A terceira margem do cinema: João Guimarães Rosa em diálogo com Chaplin e Pasolini
Revista de Estudos Literários da UEMS - REVELL, 2015 Neste artigo, comparo alguns textos de João Guimarães Rosa com filmes de Charles Chaplin e Pier Paolo Pasolini. O contraste está baseado nos temas do silêncio e da morte.
Julio Augusto Xavier Galharte
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Remate de Males, 2020 Este artigo parte da crítica elaborada por Pier Paolo Pasolini em alguns textos da coluna “O Caos”, publicada no semanário O Tempo, entre agosto de 1968 e janeiro de 1970.
Manoel Ricardo de Lima
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, 2013 Pier Paolo Pasolini (b. 1922–d. 1975) was one of the most important and innovative figures in postwar Italian culture, whose influence, both within Italy and internationally, has continued to grow in the decades since his death. Though his international reputation rests largely on the fame he achieved as a filmmaker in the 1960s and early 1970s, he was
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Un art du raccourci : La Ricotta de Pier Paolo Pasolini
Mise au Point, 2018 La Ricotta is short film of Pier Paolo Pasolini that creates many links, through the recreation of living paintings or in a more allusive way, with paintings developping an art of the foreshortening. As a twist, this foreshortening unfolds on the visual,
Cécile Sorin
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La vocació teatral de Pier Paolo Pasolini [PDF]
Article complementari a la peça "Manifest per a un nou teatre" de Pier Paolo Pasolini, editada en paper en Estudis Escènics Nº 33 ...
Valentini, Valentina
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"Un estraneo in una terra ostile": Exile and Engagement in Pasolini's Verse Dramas [PDF]
, 2012 Concentrates on the brief period of Pier Paolo Pasolini’s career between 1966 and 1969 when he dedicated a significant portion of his energy to the theater. Argues that these years contain Pasolini’s most direct engagement with bourgeois Italian culture:
Laurence E. Hooper
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“Il poeta del pastiche”. Echi gozzaniani in Petrolio di Pier Paolo Pasolini
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 2017 Pier Paolo Pasolini in Petrolio cita alcuni versi di Guido Gozzano e in un saggio di Descrizioni di descrizioni lo presenta come “il poeta del pastiche”, sottolineando la sua epicità che lo avvicinerebbe a Dante.
Agnieszka Liszka-Drążkiewicz
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