Results 1 to 10 of about 2,891 (155)

Imágenes del despertar. La influencia proustiana en Das Passagen-Werk de Walter Benjamin

Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2014
La influencia de Marcel Proust en el pensamiento de Benjamin fue tal que llevó al filósofo berlinés a plantearse el peligro de una pérdida de la independencia intelectual de su propio pensamiento.
Maria Belforte
doaj   +6 more sources

HISTÓRIA, DIALÉTICA E MATERIALISMO HISTÓRICO NA LEITURA BENJAMINIANA DE DAS PASSAGEN WERK

Revista Dialectus - Revista De Filosofia
Este artigo procura salientar elementos gerais do pensamento de Walter Benjamin, a partir critérios de abordagem da realidade política e histórica, direcionados pelo conceito de imagem dialética, que renova o significado da dialética como abordagem teórico-metodológica do materialismo histórico.
exaly   +2 more sources

Imagem onírica e imagem dialética em Walter Benjamin

Kalagatos, 2021
O presente estudo articula a concepção crítica da modernidade esboçada por W. Benjamin em suas anotações preparatórias ao projeto das passagens (Passagen-Werk), em que pensa a relação entre esta crítica teórica da sociedade produtora de mercadorias e a ...
João Emiliano Fortaleza de Aquino
doaj   +1 more source

Aby Warburg e il dramma barocco

Aisthesis, 2012
Analogies, contaminations and  assonances between certain aspects of the thought of Aby Warburg and Walter Benjamin are still at the center of the contemporary theoretical debate.
Claudia Cieri Via
doaj   +5 more sources

Von Glaskonstruktionen und Kinosälen

MedienPädagogik: Zeitschrift für Theorie und Praxis der Medienbildung, 2022
In Walter Benjamins Kunstwerkaufsatz-Komplex, im Passagen-Werk sowie in einzelnen Aufsätzen findet sich in Ansätzen eine Theorie politischer Kollektive, die wiederum eng an Fragen der Struktur von öffentlichen und privaten Räumen gebunden ist. Indem die
Antonio Roselli
doaj   +1 more source

A secret thing: Forgetting the author in Annette von Droste‐Hülshoff's “Das erste Gedicht”

The German Quarterly, Volume 96, Issue 4, Page 498-515, Fall 2023., 2023
Abstract This article examines the notion of secrecy in Annette von Droste‐Hülshoff's poem “Das erste Gedicht” (1846), pursuing its inquiry through a critical analysis of the gendering of space and authorship in Walter Benjamin's commentary on her poetics in Deutsche Menschen. Eine Folge von Briefen (1936).
Julia Gutterman
wiley   +1 more source

Galileis Verbrechen: Kepler, Galilei und das crimen laesae humanitatis

Berichte zur Wissenschaftsgeschichte, Volume 44, Issue 3, Page 325-329, September 2021., 2021
Abstract Johannes Kepler is often cited as a witness to scholars’ resistance to the shift from Latin to vernacular languages in the scientific literature in the early 17th century. Allegedly he was unable to read Italian, and reacted to Galileo's transition from Latin to Italian by accusing him of committing a crimen laesae humanitatis, with the double
Andreas Kleinert
wiley   +1 more source

„Sieben Plagen auf einmal schlagen“ – Theatrale Hygienepropaganda und Infektionskrankheiten in der Sowjetunion der 1920 er–40 er Jahre**

Berichte zur Wissenschaftsgeschichte, Volume 44, Issue 1, Page 44-73, March 2021., 2021
Abstract This paper explores the role and impact of the official Soviet hygiene propaganda during the first three decades after the October Revolution, taking as an example theatrical performances about infectious diseases. In the Bolshevik Great Experiment of the 1920s–30s, the creation of a “Soviet body” optimized according to aesthetic and medical ...
Igor J. Polianski, Maria Tutorskaya, Oxana Kosenko   +2 more
wiley   +1 more source

Las modas a escala colectiva: Walter Benjamin y las figuras de la mujer en la ciudad moderna

Saberes y Prácticas: Revista de Filosofía y Educación, 2023
Este artículo abreva fundamentalmente en el Konvolut B [Moda] perteneciente al Libro de los Pasajes (Das Passagen-Werk) escrito entre 1927 y 1940 y publicado póstumamente.
Nathalie Goldwaser
doaj   +1 more source

MÜSSIGGANG IST ALLER LASTER ANFANG? LITERARISCHE UND FILMISCHE TYPEN DER VERWEIGERUNG IM MILIEU DER DEUTSCHEN GEGENKULTUR DER 1960ER/70ER JAHRE

German Life and Letters, Volume 74, Issue 1, Page 109-129, January 2021., 2021
Abstract The article focuses on specific forms, characters and types of ‘primary rejection’ or refusal that emerged in German subculture and deviant counterculture in the 1960s and 1970s, rejecting the cultural norms of mainstream society. Beginning with socially distinctive figures such as the layabout and the commune‐dweller, the article examines ...
Sara Bangert
wiley   +1 more source