Results 31 to 40 of about 897 (93)
, 2003 'Raft', Silke Dettmers, 2003. Exhibited at Mark Barrow Fine Art, 5. Mar - 28.
Dettmers, Silke
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"A Theory of Deep Democracy and Economic Justice in the Age of Postmodernism" [PDF]
The main purpose of this paper is to offer a somewhat novel theory of deep democracy and economic justice. Part of the novelty consists in considering radical uncertainty and indeterminacy under postmodern conditions.
Haider A. Khan
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, 2014 When discussing science fiction’s relationship with architecture, the usual practice is to look at the architecture “in” science fiction—in particular, the architecture in SF films (see Kuhn 75-143) since the spaces of literary SF present obvious ...
Clear, Nic
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We dream of an age that is equal to our passions [PDF]
, 2013 We dream of an age that is equal to our passions is a series of soliloquies and ideas that look at the false narratives I tell myself in order to get out bed in the morning, at the depression that came after failed revolutions, at the unrealistic hopes ...
Winks, William
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Who has been tampering with these pianos?: The surrealist writings of Montagu O’Reilly (Wayne Andrews). [PDF]
, 2013 This article makes a case for Wayne Andrews as a neglected and original voice in American surrealism. The article begins by examining his periodical La revue de l'élite (1930-33) (later La revue intime and Demain) as evidence of his early interest in ...
Hugill, A
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"Deconstructing Postmodernism and the Mainstream Developmental Discourse of Women's Empowerment in the (South) Asian Context" [PDF]
This paper starts with an initial gesture accepting the validity of many of the criticisms of modernity by some leading postmodern thinkers. From this initial position, it then evaluates the postmodernist positions themselves with regards to democracy ...
Haider A Khan
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Canon-fodder: Nietzsche, Jarry, Derrida (The Play of Discourse and the Discourse of Play) [PDF]
, 1989 Barker, Stephen
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Black coffee. Marcel Duchamp’s pataphysical sensism
RELIEF - Revue électronique de littérature française, 2016 Duchamp’s readymade is usually interpreted as a bold and cerebral emancipation of modern art from the material, the craft and natural beauty, and the discovery of the continent of conceptual art. Duchamp however was very sceptical and made fun of abstract reasoning, concepts and theories. This essay states that Duchamp ostensibly found inspiration with
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