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Formula pafosa, Pathosformel: Eisenstein and Warburg
2021Somaini, Antonio +2 more
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La Conversion de Saint Paul comme pathosformel théologique
2014Entre 1684 et 1685 Andrea Pozzo peint une Conversion de Saint Ignace de Loyola pour l’église romaine consacrée au Fondateur de la Compagnie de Jésus. Dans la partie supérieure de la fresque le peintre place Saint Pierre qui, deux clefs serrées dans la main gauche, l’autre bras aiguillé vers le seul, surplombe Saint Ignace. Toutefois, comparant ce
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Pathosformel 'Venus'? Überlegungen zu einer Mythengestalt bei Aby Warburg
2006Ausgehend von dem Film "Picknick at Hanging Rock" von Peter Weir und den filmischen Verweisen auf das Botticelli Gemälde "Geburt-Venus" wurden im Vortrag die Venus- und Nynphen-Visionen Aby Warburgs reflektiert. Die Frage, die im Rahmen des Vortrages von Interesse war, drehte sich dabei weniger um die, von Aby Warburg Anfang des 20.
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Pathosformel between Classic and Romantic: Goethe and Kleist
In his correspondence with André Jolles, speaking of the unknown and elusive apparition of an ancient “nymph” on the quiet and subdued scene of the Nativity of John the Baptist painted by Ghirlandaio for the Tornabuoni Chapel, Aby Warburg had questioned in 1900 why a “pagan stormy petrel is permitted to rush” in the “slowmoving respectability” of ...openaire +1 more source
LEFT AND RIGHT ORIENTATION OF A "PATHOSFORMEL" IN DÜRER
Source: Notes in the History of Art, 1996openaire +1 more source
“Mutatis mutandis.” Sirens as Pathosformel of the Trans-Performative Act
Drawing from and based on the Warburgian methodology, which sees nymphs (natural spirits of air, water, and earth) as the reoccurrence of an image that implies a trans-performative action, this analysis aims to further outline the performative charge of the aforementioned Pathosformel and how it has been used by German authors.openaire +1 more source